Joseph Mallord William Turner Figures at a Market ?on the Harbourfront at Boulogne 1825
Joseph Mallord William Turner 1775–1851
Folio 13 Recto:
Figures at a Market ?on the Harbourfront at Boulogne 1825
D19422
Turner Bequest CCXV 13
Turner Bequest CCXV 13
Pencil on white wove paper, 113 x 189 mm
Partial watermark ‘Al | 1’
Inscribed by Turner in pencil ‘Mountebank [?selng] Eau de Cologne, beating a drum’ top left, ‘Men Trying on Boots all on the ground’ and ‘Bird Cages and’ (sic) top right, ‘Pots pans | Cloath’ towards bottom right, and ‘Po[...] | C[?hu...]’ bottom centre
Inscribed by John Ruskin in blue ink ‘13’ top right and ‘277’ bottom right
Stamped in black ‘CCXV – 13’ bottom right
Partial watermark ‘Al | 1’
Inscribed by Turner in pencil ‘Mountebank [?selng] Eau de Cologne, beating a drum’ top left, ‘Men Trying on Boots all on the ground’ and ‘Bird Cages and’ (sic) top right, ‘Pots pans | Cloath’ towards bottom right, and ‘Po[...] | C[?hu...]’ bottom centre
Inscribed by John Ruskin in blue ink ‘13’ top right and ‘277’ bottom right
Stamped in black ‘CCXV – 13’ bottom right
Accepted by the nation as part of the Turner Bequest 1856
References
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.II, p.663, CCXV 13, as ‘Market place. “Mountebank selling Eau de Cologne, beating a drum,” “Man trying on Boots, all on the ground,” “Bird Cages,” “Pots,” “Pans,” &c.’.
1966
Jack Lindsay, J.M.W. Turner: His Life and Work: A Critical Biography, London 1966, p.234 note 62.
1983
Ann Lapraik Livermore, ‘Turner and Music’, Turner Studies, vol.3, no.1, Summer 1983, p.46.
1997
Ian Warrell, Turner on the Loire, exhibition catalogue, Tate Gallery, London 1997, pp.17, 206 note 21, as Boulogne subject.
The setting of this selectively detailed sketch, likely Boulogne,1 is difficult to make out, as are the activities of the various figures were it not for Turner’s lengthy annotations. There seems to be the faint outline of a sail to the right, and loose outlines of roofs or a skyline above. The clearest features are the arches at the centre, but none of the buildings around the harbour (as seen on the verso; D19423) survive from Turner’s time. An arcaded bathing establishment had opened earlier in 1825,2 overlooking the beach north of the outer harbour channel on the site of today’s Nausicaa aquarium, and is seen in various identified views here (see under folio 19 verso; D19434) and in the contemporary Holland book; see under Tate D19320 (Turner Bequest CCXIV 242).
If the new building is shown, the rounded shape towards the left might be a bathing machine (see folio 19 verso; D19434); otherwise, it may be a caravan associated with the traders noted in the busy and doubtless noisy scene, with a ‘Mountebank [selling] Eau de Cologne, beating a drum’, and ‘Men Trying on Boots all on the ground’ among ‘Bird Cages’, ‘Pots[,] pans [and] Cloath’ (sic). The drummer is perhaps the man with splayed legs seen from the back towards the left. The page is mentioned among numerous examples in Jack Lindsay’s discussion of Turner’s interest in music, and in Ann Livermore’s more comprehensive treatment of the topic.3 Compare the appreciative note of ‘a whole shop on a barrow the owner calling his ware and using a Rat[t]le’ at Amsterdam in the Holland book (Tate D19010; Turner Bequest CCXIV 86a).
Matthew Imms
September 2020
See ‘Chronologie’ in Alain Lottin ed., Histoire de Boulogne-sur-Mer, 2014 (online ed. 2016), OpenEdition Books, accessed 28 August 2020, https://books.openedition.org/septentrion/7606 .
How to cite
Matthew Imms, ‘Figures at a Market ?on the Harbourfront at Boulogne 1825 by Joseph Mallord William Turner’, catalogue entry, September 2020, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, March 2023, https://www