Joseph Mallord William Turner Details of the Trajanic Frieze and of the Sculptures on Side of the Arch of Constantine, Rome 1819
Joseph Mallord William Turner 1775–1851
Folio 22 Recto:
Details of the Trajanic Frieze and of the Sculptures on Side of the Arch of Constantine, Rome 1819
D16195
Turner Bequest CLXXXVIII 21
Turner Bequest CLXXXVIII 21
Pencil on white wove paper, 114 x 189 mm
Inscribed by the artist in pencil ‘EVNDATORIQVIETIS’ top left and ‘VOTIS X’ bottom centre right and VOTIS XX’ and ‘under the V...’ bottom right
Stamped in black ‘CLXXXVIII 21’ bottom right
Stamped in black ‘CLXXXVIII 21’ bottom right
Accepted by the nation as part of the Turner Bequest 1856
References
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.558, as ‘Details of the Trajanic frieze on the Arch of Constantine. See Plates 46, 48, and 104, op.cit.’.
1984
Cecilia Powell, ‘Turner on Classic Ground: His Visits to Central and Southern Italy and Related Paintings and Drawings’, unpublished Ph.D thesis, Courtauld Institute of Art, University of London 1984, pp.129, 145 note 78, 476 note 10.
1987
Cecilia Powell, Turner in the South: Rome, Naples, Florence, New Haven and London 1987, p.51 note 8.
Like many other ancient monuments in the Roman Forum, Turner made a detailed study of the Arch of Constantine, a triumphal arch which stands at the eastern end of the Forum, near to the Colosseum. This page contains sketches relating to the northern and western façades of the structure. In the top left-hand corner of this page is a sketch of the inner panel on the east side of the central archway. The bas-relief shows a battle scene representing Trajan’s Dacian Wars. Turner has also transcribed the inscription above the panel, although his record is slightly inaccurate. The text on the arch reads ‘FVNDATORIQVIETIS’, meaning ‘To the Founder of Peace’. On the right-hand side are four sketches showing closely grouped full length figures. These are scenes of soldiers and prisoners from the right-hand side of the column bases of the lateral arches. Turner drew the panels from the front and left-hand side of the bases on another page, see folio 21 (D16194).
The roundel detail records the medallion on the western side of the Arch depicting the figure of the Moon with a two horse chariot, a pendant to the Sun on the opposite side. To the left of the roundel is a detail of two figures with a horse which relates to the small section of frieze isolated by the column on the far right-hand side of the northern façade. The square-shaped details in the bottom right-hand corner relate to the inner bays of lateral arches where there are several portrait busts in an advanced state of deterioration. Turner has also drawn a detail from part of the decorative border from the entablature, and has transcribed the two inscriptions to be found above the lateral arches: on the left ‘VOTIS X’ and on the right ‘VOTIS XX’
The selection and grouping of the various components reveal Turner’s method. For the drawings on this page he stood at a point near the north-west corner of the arch and sketched all the planes which he could see from that particular viewpoint i.e. the western or right-hand sides of exterior surfaces, and the eastern, or left-hand side of inner surfaces such as the bays of the arches. For other sketches of the Arch of Constantine see folio 18 (D16190).
Nicola Moorby
September 2008
How to cite
Nicola Moorby, ‘Details of the Trajanic Frieze and of the Sculptures on Side of the Arch of Constantine, Rome 1819 by Joseph Mallord William Turner’, catalogue entry, September 2008, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, December 2012, https://www