Joseph Mallord William Turner Caley Crags, Otley Chevin 1818
Image 1 of 2
Joseph Mallord William Turner,
Caley Crags, Otley Chevin
1818
Joseph Mallord William Turner 1775–1851
Folio 5 Verso:
Caley Crags, Otley Chevin 1818
D12003
Turner Bequest CLIII 5a
Turner Bequest CLIII 5a
Pencil on white wove paper, 111 x 185 mm
Watermaked ‘AL[LEE] | 18[13]’
Inscribed in pencil, perhaps not by Turner, ‘Gosforth’
Watermaked ‘AL[LEE] | 18[13]’
Inscribed in pencil, perhaps not by Turner, ‘Gosforth’
Accepted by the nation as part of the Turner Bequest 1856
References
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.434, CLIII 5a, as ‘Caley Park, Otley Chevin...“Gosfort”’.
1979
Andrew Wilton, The Life and Work of J.M.W. Turner, Fribourg 1979, p.371, no.611.
1980
David Hill, Stanley Warburton, Mary Tussey and others, Turner in Yorkshire, exhibition catalogue, York City Art Gallery 1980, p.46, no.66.
1982
109th Annual Exhibition of Watercolours and Drawings, exhibition catalogue, Thos Agnew & Sons, London 1982, no.105.
2009
David Hill, Turner and Leeds: Image of Industry, Leeds 2009, p.75.
This is the left part of a double-page spread continued to the right on D12004; Turner Bequest CLIII 6, opposite, and further right on D12005; Turner Bequest CLIII 7, following, depicting Caley Crags from below. The sketch served as the basis of a finished watercolour, Caley Crags, with Deer (private collection),1 painted for Walter Fawkes of Farnley Hall about 1818. The finished watercolour is listed as ‘23 Rocks deer’ in the list of watercolours in hand (or intended) on another page of this sketchbook (D12013; Turner Bequest CLIII 11a).
Caley Crags, situated at the eastern end of Otley Chevin, offer a fine panorama over the Wharfe Valley towards Farnley Hall. They are the viewpoint of other sketches in the present sketchbook (D12009–D12010, D12011; Turner Bequest CLIII 9a–10, 11 looking west; and D12012–D12013; Turner Bequest CLIII 11a–12 looking north).
The inscription ‘Gosforth’ does not appear to be in Turner’s hand, and is probably by the same writer (perhaps Fawkes) as the inscription on D11996; Turner Bequest CLIII 1 proposing staffage additions to commissioned watercolours. Fawkes’s sister, Frances Elizabeth, was married to Charles John Brandling of Gosforth Park near Newcastle, and it may be that the inscription denotes the intended destination of the finished watercolour. In the event it seems to have taken its place in the Farnley collection.
David Hill
June 2009
How to cite
David Hill, ‘Caley Crags, Otley Chevin 1818 by Joseph Mallord William Turner’, catalogue entry, June 2009, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, September 2014, https://www