Joseph Mallord William Turner Bolton Abbey from the North ?1808
Joseph Mallord William Turner 1775–1851
Bolton Abbey from the North ?1808
D12118
Turner Bequest CLIV T
Turner Bequest CLIV T
Pencil on heavyweight white wove paper, 447 x 594 mm
Inscribed by Turner in pencil ‘Stone’, ‘Dark’
Stamped in brown ‘CLIV T’ bottom right
Inscribed by Turner in pencil ‘Stone’, ‘Dark’
Stamped in brown ‘CLIV T’ bottom right
Accepted by the nation as part of the Turner Bequest 1856
Exhibition history
1965
Turner at Farnley Hall, Bradford City Art Gallery, October 1965 (45).
References
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.437, CLIV T, as ‘Bolton Abbey: A Nearer View’.
1965
P.B., Turner at Farnley Hall, exhibition catalogue, Bradford City Art Gallery 1965, no.45.
1979
Andrew Wilton, The Life and Work of J.M.W. Turner, Fribourg 1979, p.360, no.532.
1980
David Hill, Stanley Warburton, Mary Tussey and others, Turner in Yorkshire, exhibition catalogue, York City Art Gallery 1980, p.28.
1996
David Hill, Turner in the North: A Tour through Derbyshire, Yorkshire, Durham, Northumberland, the Scottish Borders, the Lake District, Lancashire and Lincolnshire in the Year 1797, New Haven and London 1996, pp.142, 202 (note 12).
This is one of ten large pencil drawings including D12110, D12111, D12113, D12115, D12116, D12117, D12119, D12120 and D12121 (Turner Bequest CLIV L, M, N, Q, R, S, U, V, W) that form a coherent group of views in the Wharfe and Washburn Valleys near Farnley Hall, the Yorkshire home of Turner’s patron Walter Fawkes, and record a tour up the River Wharfe from Farnley to Bolton Abbey. Several formed the bases of finished watercolours, some of which are dateable to 1809. The present writer has dubbed the group the ‘Wharfedale and Washburn’ sketchbook, and although the drawings do not actually form a sketchbook, they nevertheless appear to represent a single campaign, probably in the summer of 1808 on Turner’s first visit to Farnley. It is remarkable that Turner chose to sketch in pencil on such large sheets as these, and it is not at all clear what purpose the large scale was supposed to serve. They must have been problematic to handle in the open air, and we must presume that weather conditions were benign to have made it at all feasible to work with them.
The present sketch shows Bolton Abbey from the north, from a viewpoint on the right bank of the Wharfe, a little way upstream. The group contains two other sketches from nearby: D12116 (CLIV R), taken from a few yards further downstream, and D12117 (CLIV S), taken from the top of a steep bluff still further downstream.
David Hill
July 2009
How to cite
David Hill, ‘Bolton Abbey from the North ?1808 by Joseph Mallord William Turner’, catalogue entry, July 2009, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, September 2014, https://www