Joseph Mallord William Turner Bologna from the Montagnola Gardens 1819
Joseph Mallord William Turner 1775–1851
Folio 33 Recto:
Bologna from the Montagnola Gardens 1819
D14546
Turner Bequest CLXXVI 29
Turner Bequest CLXXVI 29
Pencil on white wove paper, 111 x 184 mm
Partial watermark ‘Allnutt | 18’
Inscribed by John Ruskin in red ink ‘29’ bottom right (now faint)
Stamped in black ‘CLXXVI – 29’ bottom right
Partial watermark ‘Allnutt | 18’
Inscribed by John Ruskin in red ink ‘29’ bottom right (now faint)
Stamped in black ‘CLXXVI – 29’ bottom right
Accepted by the nation as part of the Turner Bequest 1856
References
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.517, CLXXVI 29, as ‘View of Bologna, with the Towers of Asinelli, &c.’.
1984
Cecilia Powell, ‘Turner on Classic Ground: His Visits to Central and Southern Italy and Related Paintings and Drawings’, unpublished Ph.D thesis, Courtauld Institute of Art, University of London 1984, pp.92, 406, as ‘View of Bologna from Montagnola’, p.466 note 110.
1987
Cecilia Powell, Turner in the South: Rome, Naples, Florence, New Haven and London 1987, pp.25, 202 note 46.
2008
James Hamilton, ‘Turner e l’Italia’ in Hamilton, Nicola Moorby, Christopher Baker and others, Turner e l’Italia, exhibition catalogue, Palazzo dei Diamanti, Ferrara 2008, pp.43, 90 note 22, as a Bologna subject.
2009
James Hamilton, ‘Turner’s Route to Rome’ in Hamilton, Nicola Moorby, Christopher Baker and others, Turner & Italy, exhibition catalogue, National Galleries of Scotland, Edinburgh 2009, pp.42, 150 note 22, as a Bologna subject.
The view, south-south-east to the towers and domes of central Bologna, is largely precluded today by later developments. The array depicted here in detail is shown in the distance beyond trees, lightly hatched in a contre-jour effect, on folio 32 verso opposite (D14545; Turner Bequest CLXXVI 28a).
On the left is the lofty Torre Asinelli (the only structure readily visible now from this viewpoint), with the leaning Torre Garisenda on its near side. Moving west, next comes the dome of the Sanctuary of Santa Maria della Vita, a little beyond, and then the Torre Prendiparte, with its zigzag articulation, and Torre Azzoguidi (or Altabella). The main building to the right is the Cathedral of Sanpietro with its campanile.
For Cecilia Powell’s general comments on Turner’s views of Bologna from a distance here and around the Sanctuary of the Madonna di San Luca (folios 32 verso–39 recto; D14545–D14558; Turner Bequest CLXXVI 28a–35), see under D14545,1 and for general remarks on the city and numerous views on adjacent pages, see under folio 24 recto (D14532).
Matthew Imms
March 2017
How to cite
Matthew Imms, ‘Bologna from the Montagnola Gardens 1819 by Joseph Mallord William Turner’, catalogue entry, March 2017, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, July 2017, https://www