Joseph Mallord William Turner An Old Oak, for Rogers's 'Poems' c.1830-2
Joseph Mallord William Turner 1775–1851
An Old Oak, for Rogers’s ‘Poems’ circa 1830–2
D27691
Turner Bequest CCLXXX 174
Turner Bequest CCLXXX 174
Pencil and watercolour, approximately 115 x 135 mm on white wove paper, 238 x 306 mm
Stamped in black ‘CCLXXX 174’ bottom right
Stamped in black ‘CCLXXX 174’ bottom right
Accepted by the nation as part of the Turner Bequest 1856
Exhibition history
1904
National Gallery, London, various dates to at least 1904 (232).
1934
Watercolours from the Turner Bequest, Victoria and Albert Museum, London, March 1934–? (no catalogue).
1971
[?] Victoria and Albert Museum Circulation Department Conservation Studio, London, circa 1971 (no catalogue).
1975
Turner in the British Museum: Drawings and Watercolours, British Museum, London, May 1975–February 1976 (184).
1989
Turner and the Human Figure: Studies of Contemporary Life, Tate Gallery, London, April–July 1989 (56, reproduced).
1992
Turner: The Fifth Decade: Watercolours 1830–1840, Tate Gallery, London, February–May 1992 (9, reproduced in colour).
References
1903
E.T. Cook and Alexander Wedderburn (eds.), Library Edition: The Works of John Ruskin: Volume I: Early Prose Writings 1834–1843, London 1903, pp.233, 244.
1904
E.T. Cook and Alexander Wedderburn (eds.), Library Edition: The Works of John Ruskin: Volume XIII: Turner: The Harbours of England; Catalogues and Notes, London 1904, pp.380–1.
1906
E.T. Cook and Alexander Wedderburn (eds.), Library Edition: The Works of John Ruskin: Volume XXI: The Ruskin Art Collection at Oxford, London 1906, p.214.
1909
A.J. Finberg, A Complete Inventory of the Drawings in the Turner Bequest, London 1909, vol.II, p.902, as ‘The old oak in Life’.
1966
Adele Holcomb, ‘J.M.W. Turner’s Illustrations to the Poets’, unpublished Ph.D thesis, University of California, Los Angeles 1966, pp.80, 82, 84, 88, 103, , 183, reproduced fig.39.
1979
Andrew Wilton, The Life and Work of J.M.W. Turner, Fribourg 1979, p.442 no.1195, reproduced.
1975
Andrew Wilton, Turner in the British Museum: Drawings and Watercolours, exhibition catalogue, British Museum, London 1975, p.118 no.184.
1989
Ann Chumbley and Ian Warrell, Turner and the Human Figure: Studies of Contemporary Life, exhibition catalogue, Tate Gallery, London 1989, pp.35, 53 no.56, reproduced.
1992
Anne Lyles, Turner: The Fifth Decade: Watercolours 1830–1840, exhibition catalogue, Tate Gallery, London 1992, pp.13, 25 reproduced colour, 48 no.9 reproduced, 49.
1993
Jan Piggott, Turner’s Vignettes, exhibition catalogue, Tate Gallery, London 1993, p.97.
This vignette, An Old Oak was published in the 1834 edition of Rogers’s Poems and appears as the head-piece to a poem entitled, ‘To an Old Oak’.1 It is a pair with another illustration, Shipbuilding (An Old Oak Dead), which appears as the tail-piece to the same poem (see Tate D27692; Turner Bequest CCLXXX 175). Both prints were engraved by Edward Goodall.2 The poem tells the story of the life and death of an oak tree. This scene illustrates the third stanza of the poem, which describes the tree as the centre of rural village life. Turner marked the passage with pencil in the margin of his own copy of the 1827 edition of Poems (see Tate D36330; Turner Bequest CCCLXVI p.188):
Then Culture came, and days serene;
And village-sports, and garlands gay.
Full of many a pathway crossed the green;
And maids and shepherd-youths were seen
To celebrate the May.
(Poems, p.177)
And village-sports, and garlands gay.
Full of many a pathway crossed the green;
And maids and shepherd-youths were seen
To celebrate the May.
(Poems, p.177)
Turner provides a festive scene of springtime celebrations taking place around, and even within, the oak. In the foreground a group of young people are dancing underneath the spread of its branches, in sprightly contrast to the old man leaning against the foot on the right. Meanwhile, at the top of the tree are four boys who have scaled its heights.
Turner produced one preliminary study for this subject (see Tate D27533; Turner Bequest CCLXXX 16). There is also a pencil sketch of a tree on the verso of CCLXXX 175 which is possible related.
Verso:
Inscribed by unknown hands in pencil ‘17’ and ‘25’ top centre and ‘16 | a’ centre right and ‘CCLXXX.174’ bottom centre
Stamped in black ‘CCLXXX 174’ centre
Stamped in black ‘CCLXXX 174’ centre
Meredith Gamer
August 2006
How to cite
Meredith Gamer, ‘An Old Oak, for Rogers’s ‘Poems’ c.1830–2 by Joseph Mallord William Turner’, catalogue entry, August 2006, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, December 2012, https://www