Joseph Mallord William Turner A Woodland Road in Caley Park, Otley Chevin 1818
Joseph Mallord William Turner 1775–1851
Folio 8 Recto:
A Woodland Road in Caley Park, Otley Chevin 1818
D12007
Turner Bequest CLIII 8
Turner Bequest CLIII 8
Pencil on white wove paper, 111 x 185 mm
Watermaked ‘AL[LEE] | 18[13]’
Inscribed by Turner in pencil ‘Road’, ‘Fern’
Inscribed in pencil, perhaps not by Turner, ‘4’ top right
Stamped in black ‘CLIII 8’ bottom right
Watermaked ‘AL[LEE] | 18[13]’
Inscribed by Turner in pencil ‘Road’, ‘Fern’
Inscribed in pencil, perhaps not by Turner, ‘4’ top right
Stamped in black ‘CLIII 8’ bottom right
Accepted by the nation as part of the Turner Bequest 1856
References
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.434, CLIII 8, as ‘The deer park, Otley Chevin’.
1974
Gerald Wilkinson, The Sketches of Turner, R.A. 1802–20: Genius of the Romantic, London 1974, p.152 reproduced.
1979
Andrew Wilton, The Life and Work of J.M.W. Turner, Fribourg 1979, p.371, no.616.
1980
David Hill, Stanley Warburton, Mary Tussey and others, Turner in Yorkshire, exhibition catalogue, York City Art Gallery 1980, p.46, no.66.
2005
Greg Smith, ‘Turning his back to the Scene’, in Michael Broughton, William Clarke, Joanna Selbourne and others, The Spooner Collection of British Watercolours at the Courtauld Institute Gallery, exhibition catalogue, Huntington Library, Art Collections and Botanical Gardens, San Marino 2005, pp.28–9 (and note 1).
2009
David Hill, Turner and Leeds: Image of Industry, Leeds 2009, p.75.
This is the right part of a double-page spread continued from D12006; Turner Bequest CLIII 7a, opposite, and continued further right on D12008; Turner Bequest CLIII 9, following, recording a view along a woodland road running across a rocky ravine. This page served as the basis of a finished watercolour, West Gates to Caley Park, Otley Chevin (Bradford City Art Galleries)1 painted for Walter Fawkes of Farnley Hall about 1818. However, the gates are not indicated in the sketch. The inscribed number ‘4’ relates to the list of proposed staffage written on a preceding page (D11996; Turner Bequest CLIII 1): ‘4 a few Deer cantering off in the Distance – 2 Men on shooting ponies entering from gate with the Park Keeper on foot’. The present writer has suggested that Walter Fawkes might have made the note when commissioning the watercolour, and in this instance Turner fully complied with the suggestion. The watercolour is listed as ‘24 Park Gate’ in the list of watercolours in hand (or intended) on another page of this sketchbook (D12013; Turner Bequest CLIII 11a).
See notes to D12006 for connections with other watercolours mistakenly made by other scholars.
Verso:
Blank
David Hill
June 2009
How to cite
David Hill, ‘A Woodland Road in Caley Park, Otley Chevin 1818 by Joseph Mallord William Turner’, catalogue entry, June 2009, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, September 2014, https://www