Joseph Mallord William Turner A Shipweck in a Stormy Sea c.1823-6
Joseph Mallord William Turner 1775–1851
A Shipweck in a Stormy Sea c.1823–6
D25339
Turner Bequest CCLXIII 217
Turner Bequest CCLXIII 217
Watercolour on white wove paper, 205 x 299 mm
Inscribed in red ink ‘217’ bottom right
Stamped in black ‘CCLXIII – 217’ bottom right
Inscribed in red ink ‘217’ bottom right
Stamped in black ‘CCLXIII – 217’ bottom right
Accepted by the nation as part of the Turner Bequest 1856
Exhibition history
1936
Watercolours from the Turner Bequest [Loan Series G], Empire Loan Collections Society, National Gallery, Cape Town, May 1936–June 1937 (no catalogue, but frame no.13, as ‘A Wreck’).
1979
J.M.W. Turner: Sea, Sky and Sun: Watercolours from the Turner Bequest, Loaned by the British Museum, Tate Gallery, London, December 1979–July 1980 (no catalogue, as ‘A Wreck’).
2002
Turner: Reflections of Sea and Light: Paintings and Watercolors by J.M.W. Turner from Tate, Baltimore Museum of Art, February–May 2002 (no catalogue).
2002
Turner y el mar: Acuarelas de la Tate, Fundación Juan March, Madrid, September 2002–January 2003 (29, as ‘Mástiles de un barco naufragado’, c.1825, reproduced in colour).
2003
O mar e a luz: Aguarelas de Turner na colecção da Tate, Museu Calouste Gulbenkian, Lisbon, February–May 2003 (30, as ‘Masts of a Sinking Ship’, c.1825, reproduced in colour).
2011
William Turner. Maler der Elemente / Turner and the Elements, Bucerius Kunst Forum, Hamburg, June–September 2011, Muzeum Narodowe, Krakow, October–January 2012, Turner Contemporary, Margate, January–May (22, as ‘Masts of a Sinking Ship’, c.1825, reproduced in colour).
References
1820
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.II, p.831, CCLXIII 217, as ‘A wreck’, c.1820–30.
1982
Guy Weelan, J.M.W. Turner, trans. I. Mark Paris, New York 1982, pl.178 (colour), as ‘Shipwreck at Sea’.
1997
Eric Shanes, Turner’s Watercolour Explorations 1810–1842, exhibition catalogue, Tate Gallery, London 1997, pp.30, 99 Appendix I ‘Literary and Book Illustrations’, 100 Appendix I ‘Oil Paintings?’, 101 Appendix I ‘Sea Sketches and Studies’, 102 Appendix I ‘Shipping’.
1825
Ian Warrell in Warrell, José Jiménez, Nicola Moorby et al., Turner y el mar: Acuarelas de la Tate, exhibition catalogue, Fundación Juan March, Madrid 2002, p.64, reproduced in colour p.73, p.133 no.29, as ‘Mástiles de un barco naufragado’, c.1825.
1825
Ian Warrell in Warrell, Nicola Moorby, Sarah Taft et al., O mar e a luz: Aguarelas de Turner na colecção da Tate, exhibition catalogue, Museu Calouste Gulbenkian, Lisbon 2003, p.70, reproduced in colour p.75, pp.147, 152 no.30, as ‘Masts of a Sinking Ship’, c.1825.
This image of mountainous seas with a ship rolling on the horizon, apparently damaged and presumably in the course of being wrecked and lost, is stylistically comparable with ‘Little Liber’ designs,1 particularly the similarly pale-toned canonical ‘Little Liber’ watercolour Ship in a Storm (Tate D25432; Turner Bequest CCLXIII 309a), where a vessel is pencilled in above the waves at the left, still under sail but in difficulties; in the subsequent mezzotint it is transformed into a dark silhouette, as here. Compare also Tate D35926 (Turner Bequest CCCLXIV 83) in the present subsection.
Eric Shanes has suggested that, of Turner’s numerous shipwreck subjects, he may have been recalling The Wreck of a Transport Ship, of 1810 (Museu Calouste Gulbenkian, Lisbon),2 with its rolling, broken-masted hull, ‘although undoubtedly [this sheet] dates from much later and may have been an attempt to develop the imagery further’.3 He has also compared the present work with a vignette study, possibly related to Thomas Campbell’s Poetical Works of 1837 (Tate D27563; Turner Bequest CCLXXX 46), with its dark vessel rolling in a similar attitude.
Turner seems to have found the anonymity of a distant ship at the mercy of the sea evocative; see also the sheet perhaps from the late 1840s, inscribed ‘Lost to all hope she lies | each sea breaks over a derelict | on an unknown shore’ (Yale Center for British Art, New Haven),4 with its shadowy listing wreck.
Verso:
Blank
Matthew Imms
September 2016
How to cite
Matthew Imms, ‘A Shipweck in a Stormy Sea c.1823–6 by Joseph Mallord William Turner’, catalogue entry, September 2016, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, December 2016, https://www