Joseph Mallord William Turner A Ship Frozen Up ?1808, 1814
Joseph Mallord William Turner 1775–1851
Folio 18 Recto:
A Ship Frozen Up ?1808, 1814
D06637
Turner Bequest CI 18
Turner Bequest CI 18
Pencil on white wove paper, 107 x 180 mm
Inscribed by John Ruskin in red ink ‘18’ bottom right
Stamped in black ‘CI 18’ bottom right
Inscribed by John Ruskin in red ink ‘18’ bottom right
Stamped in black ‘CI 18’ bottom right
Accepted by the nation as part of the Turner Bequest 1856
Exhibition history
1878
Oxford Loan Collection, University Galleries, Oxford from 1878 (159–146a), as ‘The Inscrutable’.
References
1904
E.T. Cook and Alexander Wedderburn eds., Library Edition: The Works of John Ruskin: Volume XIII: Turner: The Harbours of England; Catalogues and Notes, London 1904, p.566 note 3.
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.264, CI 18, as ‘Vessel among ice’.
1910
A.J. Finberg, Turner’s Sketches and Drawings, London 1910, p.52, reproduced opposite, pl.XXIV, as ‘The Inscrutable’.
1974
Gerald Wilkinson, The Sketches of Turner, R.A. 1802–20: Genius of the Romantic, London 1974, p.90 reproduced.
See Introduction to the sketchbook and comment to folios 12 and 17 (D06631, D06636). This and folio 17 (D06637) depict larger ships in more severely frozen conditions than the other frost scenes in the book, and may represent Turner’s imaginative response to the Thames freeze of January 1814 or to an historical subject such as the death of the explorer Hugh Willoughby. When on loan to Oxford, the present drawing was placed by Ruskin in the ‘Marine Series’ and variously called ‘“The Inscrutable!”’, ‘Dutch boats in breeze’ and ‘Shipwreck’. The first title may have been Ruskin’s own play on the inscrutable character of the subject, which is also reflected in his changes of mind about its name. As noted in the Introduction, a drawing by Alexander Cozens (Tate T08772) of a ship in distress in stormy seas or ice is also known as A Shipwreck Fantasy. ‘Inscrutable’. Possibly there was once a story or legend of such a ship which is now forgotten. But, although nowhere explained by him, the title for the Cozens seems to originate with its former owner A.P. Oppé, who may have seen Turner’s drawing with Ruskin’s ‘Inscrutable’ title while at New College, Oxford, 1897–1901.1 Certainly Oppé found Cozens’s subject tantalising, writing of the artist’s powers of suggestion in his wash and blot drawings being ‘difficult to follow or even ... irreconcilable with fact as in a strange drawing of a shipwreck where a black mass may either be a cliff or a bank of clouds’.2
For Oppé see Robin Hamlyn, ‘In Pursuit of the Abstract and the Practical: A.P. Oppé and the Collecting of British Watercolours and Drawings in the Early 1900s’, in Anne Lyles and Robin Hamlyn, British Watercolours from the Oppé Collection, exhibition catalogue, Tate Gallery, London 1997, especially p.10.
Verso:
Blank, inscribed ?by Turner in pencil ‘136’ and ?by John Ruskin in red ink ‘319. J. 855’
David Blayney Brown
December 2006
How to cite
David Blayney Brown, ‘A Ship Frozen Up ?1808, 1814 by Joseph Mallord William Turner’, catalogue entry, December 2006, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, December 2012, https://www