From the entry
These four colour studies or beginnings, derived from a monochrome drawing made in 1802 in the Grenoble sketchbook (Tate D04506; Turner Bequest LXXIV 14), were made as progress studies for a watercolour Grenoble Bridge (Baltimore Museum of Art, Maryland) acquired by Charles Holford. They are listed here in their likely order of execution rather than consecutively by their Turner Bequest numbers.
These four colour studies or beginnings, derived from a monochrome drawing made in 1802 in the Grenoble sketchbook (Tate D04506; Turner Bequest LXXIV 14), were made as progress studies for a watercolour Grenoble Bridge (Baltimore Museum of Art, Maryland)1 acquired by Charles Holford. They are listed here in their likely order of execution rather than consecutively by their Turner Bequest numbers.
How to cite
David Blayney Brown, ‘Colour Studies for Charles Holford’s Grenoble Bridge c.1824’, August 2013, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, August 2014, https://www