Henry Moore: Sculptural Process and Public Identity

This photograph shows Raymond Coxon, Edna Ginesi and Henry Moore standing in front of an unidentified sculpture in the garden of the Musée Cluny, Paris, in 1926 or 1927. The three artists had known each other since their time as students at Leeds School of Art in 1921. Moore fell in love with Ginesi, although she was engaged to Coxon, and declared his affections to her in March 1925. Coxon and Genesi, however, married in 1926.