Out of the light, into the shadows
Jonathan Griffin
The photogram is an image made without a camera by placing an object directly on to the surface of a light-sensitive material and then exposing it to light. Since the dawn of photography it has been explored by practitioners such as Anna Atkins and Henry Fox Talbot, keen to expand the boundaries of representation. It was a technique much employed by early modernists such as László Moholy-Nagy and György Kepes (the latter’s photograms go on display at Tate Liverpool this spring) and is enjoying something of a revival as seen in the works of Liz Deschenes, Nathaniel Mellors, Walead Beshty and Raphael Hefti