Personal and professional papers of Jacques Lipchitz
1910–73
Jacques Lipchitz (22 August 1891-26 May 1973) was a French-American sculptor of the Cubist style. He was born to a Jewish family in Druskieniki, present day Lithuania, then a part of the Russian Empire. In 1909 he moved to Paris to study sculpture and, with some short gaps, stayed there until his emmigration to the USA in 1942. Lipchitz retained highly figurative and legible components in his work leading up to 1915-16, after which naturalist and descriptive elements were muted, and dominated by a synthetic style of Crystal Cubism. In 1920 Lipchitz held his first solo exhibition, at Léonce Rosenberg's Galerie L'Effort Moderne in Paris. Fleeing the Nazis he moved to the USA in 1942 and settled in New York City and eventually to Hastings-on-Hudson.
These digitised materials include 280 pages of his three notebooks showing the artist in his early days in Paris (1915-25), during the hardships of the war and before his ability as a sculptor was widely recognised. There are also around 1000 items from Lipchitz's personal and business correspondence, reflecting his connections with European artists (Moishe Kisling, Le Corbusier, Karl Teige), and his personal life, evident in his letters to his wife Berthe, parents, siblings, and close friends. There are 150 documents related to two of Lipchitz's artistic and political projects before the Second World War, namely his participation in the Paris International Exhibition of 1937 and his trip to the USSR in 1935. Also included are 50 of his drawings and several examples of rare printed materials, such as early Cubist and Futurist journals and the publications of emigre Russsian communities in Paris. Finally there are more than 1000 photographs, mostly of maquettes of his statues, but also of his family and friends.
- Collection Owner
- Jacques Lipchitz 1891–1973
- Collection
- Tate Archive
- Acquisition
- Presented to Tate Archive by Rubin Lipchitz, March 1989; the cataloguing and selective digitisation of this archive collection was supported by Mr Timm Bergold, 2023
- Reference
- TGA 897
451 objects in this collection
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Personal and professional papers of Jacques Lipchitz
451 Objects
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Correspondence
212 Objects
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Correspondence to and from Jacques Lipchitz
183 Objects
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Correspondence between D. Aranovich and Jacques Lipchitz
2 Objects
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Letters from ‘Association des Ecrivains et Artistes Revolutionnaires’ to Jacques Lipchitz
1 Object
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Letters from Pavel Barkhan to Jacques Lipchitz
1 Object
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Correspondence between ‘The Barnes Foundation’ and Jacques Lipchitz
2 Objects
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Correspondence between Alfred and Margaret Barr and Jacques Lipchitz
4 Objects
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Correspondence between Jeanne Bucher and Jacques Lipchitz
30 Objects
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Correspondence between Albert Buesche and Jacques Lipchitz
2 Objects
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Correspondence between Andre de Fels and Jacques Lipchitz
1 Object
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Correspondence between Charles and Marie-Laure de Noailles and Jacques Lipchitz
10 Objects
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Correspondence between Paul Dermee and Jacques Lipchitz
1 Object
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Correspondence between journal ‘Documents’ and Jacques Lipchitz
4 Objects
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Correspondence between Pierre Dubaut and Jacques Lipchitz
40 Objects
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Correspondence between Varian M. Fry and Jacques Lipchitz
5 Objects
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Letters from Walter Gropius to Jacques Lipchitz
1 Object
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Correspondence between Moise Kisling and Jacques Lipchitz
4 Objects
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Letters from Germaine Krull-Ivens to Jacques Lipchitz
2 Objects
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Correspondence between Juan and Marguerite Larrea and Jacques Lipchitz
10 Objects
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Correspondence from Le Corbusier to Jacques Lipchitz
2 Objects
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Correspondence from Berthe to Jacques Lipchitz
2 Objects
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Correspondence between Jacques and Dina and Fanya Lipchitz
4 Objects
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Correspondence between Jacques and Pavel Lipchitz
1 Object
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Letters from the Mánes Association of Fine Artists to Jacques Lipchitz
1 Object
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Postcards from Oscar Miestchaninoff to Jacques Lipchitz
3 Objects
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Correspondence between Moulineaux-Billancourt Station and Jacques Lipchitz
2 Objects
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Correspondence between James M. Nahon and Jacques Lipchitz
4 Objects
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Correspondence between Edouard Pignon to Jacques Lipchitz
1 Object
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Correspondence between Jacques Lipchitz and ‘Plans’ journal
1 Object
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Correspondence from P.A.Pocheron to Jacques Lipchitz
2 Objects
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Correspondence of Serge and Helene Refes with Jacques Lipchitz
1 Object
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Letters from Walya Resnikoff to Jacques Lipchitz
2 Objects
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Letters from N. Sant’Andrea to Jacques Lipchitz
2 Objects
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Correspondence between Cesare Sofianopulo and Jacques Lipchitz
1 Object
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Correspondence between Camille Soula and Jacques Lipchitz
1 Object
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Postcards from ‘Der Sturm’ to Jacques Lipchitz
2 Objects
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Letters from Charles Teige to Jacques Lipchitz
2 Objects
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Correspondence between Joaquin Torres-Garcia and Jacques Lipchitz
8 Objects
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Correspondence between Christian Zervos and Jacques Lipchitz
2 Objects
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Correspondence to and from Berthe Lipchitz (Kitrosser)
28 Objects
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Other correspondence
1 Object
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Artworks
23 Objects
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Business papers
60 Objects
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Personal papers
18 Objects
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Writings
12 Objects
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Printed material
18 Objects
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Photographs
108 Objects
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- Title
- Correspondence between Paul Dermee and Jacques Lipchitz
- Date
- 12 March 1930–3 February 1941
- Description
- The postcard dated 19 July 1926 is signed 'Paul' only, it was identified by Catherine Putz. The content is a friendly small talk. In his typewritten letter from 12 March 1930 Dermee proposes to Lipchitz to begin a 'chain letter' where people should send a letter to anybody in order to keep the 'chain'. Here is the text of this 'chain letter' itself: 'Voici une chaine precieuse, je ne le briserai pas. On s'expose certainement au mauvais sort en ne traversant pas avec precaution les passages a niveau. Cette chaine a des millions aux noms illustres; vous voudrez bien en assurer la continuite'. Dermee attaches the list of people who participated in this particular chain. The letter from P. Dermee, dated 3 February 1941, has two parts, one is just a friendly letter, and he says here how they, he and a person called 'Corola' [or Cosola] have escaped from the bombing of Paris to a small town Beausoleil [near Monaco]. The second part of the letter is titled 'Consultation', and has a small (135 x 82 mm) photograph of a painting attached, which was found by his landlady. He asks if it can be some nineteenth century copy of Tintoret. In his pre-printed postcard dated 1 January 1941 he writes that 'they [himself and probably his wife] are ok'.
- Reference
- TGA 897/1/1/129
