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48 Entries
The Surface of Each Day is a Different Planet is a new film installation opening in the Art Now Lightbox at Tate Britain, 4 Sep - 27 Dec 2009. Visit the gallery or Download
a prelude film here.
Lynn Hershman Leeson and Tilda Swinton interview Gilberto Gil, Dr. Elizabeth Blackburn, Larry Lessig and Elena Poniatowska on revolution, empowerment and technology
Archaeologist, Michael Shanks, discusses public space and the world wide web as theatres of encounter
Artist interview with Mark Amerika discussing his mobile cinema project, YouTube aesthetics and Net Art 2.0
Four animated films by Stan VanDerBeek exploring collage, assemblage and cut-up: A La Mode 1957, Science Friction 1959, Breathdeath 1964 and Poemfield #2 1966
Projection and Perspective: Cinematic performance and industrial-acoustic sound by Tony Conrad; recording of durational event at Tate Modern
Text by Charlie Gere, in response to Net Art commission, Noplace by Marek Walczak and Martin Wattenberg
A screening of early computer animation from the 60s and 70s presented in Tate Modern's Turbine Hall, for The Long Weekend, 2008
Sadie Plant introduces work by Gustav Metzger, Ultra-red and Heath Bunting. Reviewing art and its social context.
Gustav Metzger enacts one of his newspaper works from 1962 which challenges the passive consumption of media imagery, for The Long Weekend 2008.
Sound art series and public encounter by Ultra-red asking: What are the sounds of anti-racism? Part of the Triennial Prologues: Altermodern, Tate Britain 2008.
Heath Bunting maps the relationships evident between recent legislation, commerce and systems of control as part of his ongoing Status Project.
Helen Thorington explores new contexts for sound and radio practice. An introduction to Radio Art works by Christof Migone and Sarah Washington.
A four-part Radio Art series by Christof Migone in which the artist translates Samuel Beckett’s wordless movement piece Quad, foregrounding incidental matter and the sonic by-products of visceral debris.
An eight-part Radio Art series by Sarah Washington exploring the roots of language, communication and consciousness.
Live audio-visual performances by AVVA - Toshimaru Nakamura and Billy Roisz, Ryoichi Kurokawa, Sackiko M and Benedict Drew - feedback, decay, assemblage and kinetics. Part of The Long Weekend 2007, Tate Modern
Net Art commission by Qubo Gas exploring a virtual archive of collage work. An interactive graphic composition made of random drawn landscapes.
Text by Bénédicte Ramade on the work of Qubo Gas exploring themes of hybridization, ambidexterity, calligraphy, adventure and landscape.
Musicircus by John Cage, featuring works by the composer as well as Marina Rosenfeld and La Monte Young, for The Long Weekend 2006, Tate Modern. Including an interview with Musical Director, Richard Bernas
Live performances by Robert Henke (aka Monolake), alva noto (Carsten Nicolai) and Ryoji Ikeda. Ultra-minimalism in electronic music and visualisation for The Long Weekend 2006, Tate Modern
A conversation between Carsten Nicolai and Daniele Balit. In context of an alva noto performance for The Long Weekend 2006, Tate Modern
Net Art commission by Young-Hae Chang Heavy Industries. Employing their usual mix of animated black and white typography, jazzy music and humor, the work explores the international
contemporary art market from the artists' perspective.
Text by Mark Tribe, commenting on the work of Young-Hae Chang Heavy Industries and their commission for Tate, The Art of Sleep
Golan Levin with Kamal Nigam and Jonathan Feinberg, plot the romantic lives of teenagers, through a dynamic visualisation that draws its data from live Blog entries - an example
of social portraiture, documentary and database art.
Text by Lev Manovich on Golan Levin’s ‘social data browser’ The Dumpster in which he (with Kamal Nigam and Jonathan Feinberg) manipulates portraiture, documentary, and new-media genres such as visualisation
and database art.
Marc Lafia and Fang-Yu Lin present a continual, interactive re-composition of scenes from the seminal 1965 film The Battle of Algiers, by Italian director Gillo Pontecorvo.
Daniel Coffeen discusses Marc Lafia's and Fang-Yu Lin's The Battle of Algiers and the new context of non-linear cinema.
Marc Lafia and Fang-Yu Lin interview - discussing their work, The Battle of Algiers
Andy Deck adapts the cultural tradition of the quilting circle and the participative round table into an online format for producing
motion graphics. Participate in its ongoing creation by contributing your own design.
Text by Alison Colman on Andy Deck’s Screening Circle, as he explores the theme of collaborative creativity, through the metaphor of the quilting bee.
Charlie Gere explores the relationship between Net Art and the cultural institutions.
Live performance recordings of compositions by Alvin Lucier and John White performed in collaboration with a group of emerging musicians
Live performance recording by Christian Marclay, pioneer of the experimental turntable movement and leading artist operating at the intersections of art and music.
Net Art Commission by Shilpa Gupta reflecting on the world as divided by faith. The site juxtaposes real and virtual worlds to encourage visitors to consider
how these worlds might overlap and merge
Text by Johan Pijnappel on the latest net art piece from Shilpa Gupta, blessed-bandwidth.net in which she uses the medium to reflect on and intervene in activities and issues affecting global society.
Net Art commission by Natalie Bookchin & Jacqueline Stevens. An online community focused on designing a multi-player game. 'Make the game, change the world'
Net Art commission by Susan Collins, touching on matters to do with access, social inclusion, interpretation and the search for intellectual and moral authenticity.
Text by Paul Bonaventura examining the role fiction has played in Susan Collins’s work.
This work by Heath Bunting comments on the way in which movement between borders is restricted by governments and associated bureaucracies. View documentation
of his 12 month journey across Europe.
Florian Schneider discusses Heath Bunting's, BorderXing Guide as an art project embodying a carefully calculated politics of public relations.
Net Art commission by Simon Patterson exploring colour theory, its organisation and meaning - as part of his ongoing Color Match series.
Matthew Fuller comments on the work Le Match des couleurs by Simon Patterson, as an example of his ongoing Color Match series.
Net Art commission by Graham Harwood, pointing towards (A)rt’s role as medicine and the use of aesthetics to negotiate social positioning, race, national identity
and economic forces.
Josephine Berry discusses the emergence of Net Art.
48 Entries