Morad Montazami
Morad Montazami is an art historian, editor, and exhibition curator. He was Middle East and North Africa research curator for the Tate Modern, London, from 2014 to 2019. He has since developed the publishing and curating platform Zamân Books & Curating, which studies and promotes Arab, African, and Asian modernities.
Madeleine de Colnet
Madeleine de Colnet is Curatorial Projects Director for Zamân Books & Curating.
Zamân Books & Curating
Zamân Books & Curating engages actively with different communities of cultural producers, researchers, curators, translators, archivists, writers and other narrators worldwide, sharing the same desire: to revive and celebrate their transcultural artistic heritages. There exhibitions document and give visibility to diverse artistic legacies from Arab, African and Asian modernities, neglected or marginalised until recently by mainstream art history and trend-setters institutions. These exhibitions based on rare artworks and archives are meant to travel and circulate through a network of institutions committed to the study of cultural decolonization and its extensions in the contemporary world.
Anne Barlow
Anne Barlow is Director of Tate St Ives where she oversees its programme of exhibitions, displays, artist residencies, new commissions, learning and research. Barlow was formerly Director of Art in General, New York, Curator of Education and Media Programs, New Museum, New York, and Curator of Contemporary Art and Design, Glasgow Museums, Scotland. She has published and lectured widely and was Curator of 5th Bucharest Biennale and Co-Curator of the Latvian Pavilion at the 55th Venice Biennale.
Giles Jackson
Giles Jackson has been Assistant Curator at Tate St Ives since 2018, where he has curated exhibitions and displays including: Hetain Patel (2023); Jonathan Michael Ray & Wilhelmina Barns-Graham (2022); Emily Speed (2020); and Mikhail Karikis (2019). Other exhibitions he has worked on include: Barbara Hepworth: Art & Life (2022); Thao Nguyen Phan (2022); Otobong Nkanga (2019); and Nashashibi/Skaer (2018). Formerly, he was Assistant Curator at Middlesbrough Institute of Modern Art (MIMA). He has edited and written for numerous publications.
