Internationally renowned South African artist William Kentridge talks about his practice, which encompasses complex animated films based on charcoal drawings and collages, prints, books, collage, sculpture, painting and performance. This talk coincides with the first presentation of the artist's eight-channel video installation I am not me, the horse is not mine 2008 in the Tanks at Tate Modern (11 November 2012 – 20 January 2013).
Tate Modern
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William Kentridge artist talk
William Kentridge in collaboration with Philip Miller and Catherine Meyburgh I am not me, the horse is not mine 2008
© Courtesy William Kentridge
Tate Modern
Date & Time
11 November 2012 at 14.00–15.30
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Interview: William Kentridge at Teatro La Fenice
William Kentridge was invited to make a projection on the fire screen of the Fenice opera theatre, which was primarily seen while the orchestra tuned up before each nights performance. His project – (REPEAT) from the beginning / Da Capo – features a series of sculptures rotated on a table by the artist, that on turning reveal their shape at certain points in their rotation. Art historian John Lloyd asks the artist about the project for Tate Etc.
