In Moiré, Livinus and Jeep van de Bundt synchronise abstract paintings with an electronic soundtrack, moving from one colour to another.
With L'invitation au voyage, French artist Robert Cahen multiplies and transforms the image and pairs it with a conflicting text by Jo Attié.
In the broadcast Variations luminodynamiques, Nicolas Schoffer presents a video clip, distorting and solarising black-and-white images on the cathode-ray tube (CRT).
Meanwhile, in Slovenia, Miha Vipotnik explores the potential of computer animation, creating a constantly shifting visual tapestry in Video grafike.
The programme concludes with two works that explore the notion of fluidity. Geneviève Calame’s Labyrinthes fluides, uses the EMS Spectron synthesiser to mobilise shapes and colours, while Brian Hoey and Wendy Brown’s work hypnotically links the flow of water with an electronic flux of images through the use of Videokalos Image Processor.
In the cinema’s lobby, a monitor brings video works to the small screen with Ketty La Rocca’s Appendice di una supplica devising a choreography enacted by two pairs of hands.