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Exhibition

Frida: The Making of an Icon

Tate Modern
Until 3 Jan 2027
FREE FOR MEMBERS
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Julio Le Parc: Light. Colour. Action.

Tate Modern
Until 3 May 2027
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Tate Modern Performance

Nina Beier: The Complete Works

2 October 2012 at 13.00–18.30
3 October 2012 at 13.00–18.30
4 October 2012 at 13.00–18.30

Free for Members

Nina Beier: The Complete Works What Follows Will Follow II, YBCA, San Francisco

Nina Beier: The Complete Works What Follows Will Follow II, YBCA, San Francisco

The subject of much of Nina Beier’s work is history and how it can be accessed through performance. Her interests range from popular culture – such as her ‘re-make’ of a Tintin cartoon, The Broken Ear Restored 2012, by ripping it up and piecing it back together as a collage or jigsaw – to ‘higher’ forms of art such as modern choreography.

In The Tanks, Beier will stage The Complete Works, a performance where she invites a retired dancer to dance every piece of choreography that they have learnt, enacted in chronological order. The piece is simultaneously a history of a choreographic vocabulary, collectively recognisable, whilst also invoking the personal history of the dancer’s experiences. Beier will work with three dancers from different companies.

Nina Beier (born 1975, Denmark) lives and works in Berlin. She has an MA from the Royal College of Art, London and recent solo exhibitions include Shirts vs Skins, Laura Bartlett Gallery, London (2012) and Kunsthal Charlottenborg, Copenhagen (2011).

Part of the series The Tanks: Art in Action

Tate Modern

The Tanks

Bankside
London SE1 9TG
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Dates and times

2 October 2012 at 13.00–18.30

3 October 2012 at 13.00–18.30

4 October 2012 at 13.00–18.30

Pricing

Free

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Sung Hwan Kim, Washing Brain and Corn 2010

Sung Hwan Kim

A new installation by Sung Hwan Kim to inaugurate Tank 1, the new venue space at Tate Modern, July - …

Aldo Tambellini's Black Zero performance in The Tanks, Tate Modern

Playing in the Shadows

This deconstructed symposium expands the notion of projection as performance, touching concepts of phantasmagoria and our primal connection to the …

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