Tech, Tea + Exchange

Rachel Falconer

Rachel Falconer is a curator, researcher and the founder of curatorial collective Mutable Prototype Syndicate operating at the critical intersections of contemporary art practice, feminist technoscience, emergent technologies, civic data infrastructures and networked culture. She is Head of Digital Arts Computing and Senior Lecturer in the School of Computing, Goldsmiths, University of London.

Chris Follows

Chris Follows is Emerging Technologies Lead at University of the Arts London (UAL), supporting academic integration of new technologies into creative practice, including design, performance and art. Chris is a multidisciplinary artist whose practice explores the creative relationships between hand-made, code, blockchain and AI Art, through painting. He is co-founder of artsXR, an immersive production studio and founder of Digital Maker Collective.

Alex Estorick

Alex Estorick is a writer, editor, and curator who seeks to develop socially progressive approaches to new technologies. As Editor-in-Chief at Right Click Save, he aims to drive critical conversation about blockchain, NFTs, and Web3. He is also Contributing Editor for Art and Technology at Flash Art. He was lead author of the first aesthetics of crypto art and is an International Selector for The Lumen Prize.

Micol Ap

Micol Ap is an entrepreneur, curator, and leader in the art and technology space. She is the former founder of VERTICAL, a leading digital art & culture platform. Micol has curated exhibitions worldwide, working with some of the most prominent contemporary digital artists. Currently, Micol is the Gallery Director for Fellowship, a contemporary art gallery specializing in artists working with technology.

Digital Maker Collective (DMC)

Digital Maker Collective (DMC) are an informal, voluntary Research and Development (R & D) Collective made up of Creative Tech Innovators from University of the Art London (UAL) staff, students, alumni and partners. DMC share common goals in exploring emerging technologies in the context of arts practice, education, society and the creative industries.

All Tate Modern entrances are step-free. You can enter via the Turbine Hall and into the Natalie Bell Building on Holland Street, or into the Blavatnik Building on Sumner street.

There are lifts to every floor of the Blavatnik and Natalie Bell buildings. Alternatively you can take the stairs.

• Fully accessible toilets are located on every floor on the concourses.
• A quiet room is available to use in the Natalie Bell Building on Level 4.
• Ear defenders can be borrowed from the Ticket desks.

To help plan your visit to Tate Modern, have a look at our visual story. It includes photographs and information about what you can expect from a visit to the gallery.

Download Tate Modern map PDF

For more information before your visit:

• Email hello@tate.org.uk
• Call +44 (0)20 7887 8888 (daily 10.00–17.00)

Check all Tate Modern accessibility information