![](https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/.width-340_DynEZRC.jpg)
Gilbert & George
Existers (1984)
ARTIST ROOMS Tate and National Galleries of Scotland
By 1969 they were reacting against approaches to sculpture then dominant at St Martin’s, which they regarded as elitist and poor at communicating outside an art context. Their strategy was to make themselves into sculpture, so sacrificing their separate identities to art and turning the notion of creativity on its head.