Turner Prize 1997 invitation featuring work by the four nominated artists, Christine Borland, Angela Bulloch, Cornelia Parker, Gillian Wearing
Angela Bulloch’s work spans many forms, but they all manifest her interest in systems, patterns and rules, and the creative territory between mathematics and aesthetics. Since graduating from Goldsmiths’ College in 1988 as part of the ‘freeze’ generation of young British artists, her work has crystallised into a number of distinct but related strands. 1