Tate Papers

Performance: Letters to Giorgio and Mohamed: Transmigrating Cassettes and Xirsi as a Counter-Archival Method

This performance by SITAAD weaves together historical sound recordings, archival traces, bureaucratic records and critical fabulations relating to the Somali-Italian partisan Giorgio Marincola and to the Somali ethnographic performer and linguist Mohamed Nur. Opening with cassette tapes recorded in Milan and Berlin, the performance is a sonic dialogue between Leyla Degan and Naima Hassan.

SITAAD is a platform co-founded by Leyla Degan and Naima Hassan in 2022. Drawing on sitaad, a type of devotional gathering organised by Somali women, the duo facilitates interventions within colonial sites, museums and archives.

Leyla Degan is an Italian-Somali artist and researcher working across the borders of photography archives, visual arts and field research. She focuses her practice on colonial archives and restitution in relation to Somalia, with an emphasis on Somali women.

Naima Hassan is a researcher, curator, and archivist based between Berlin and London. She is the managing editor of Annotations in Four Acts (2025), a publication emerging from her role as Associate Curator and Archivist at G.A.S. Foundation, Lagos.

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