Nick Waplington/Alexander McQueen: Working Process

10 March – 17 May 2015 (Press view 9 March 2015)
Tate Britain, Level 2 Galleries
Open daily 10.00–18.00
For public information call +44 (0)20 7887 8888, visit tate.org.uk, follow @tate #Tate2015

Tate Britain’s spring 2015 photography exhibition presents the result of a unique collaboration between the artist Nick Waplington and the acclaimed fashion designer Alexander McQueen. This major exhibition will reveal McQueen’s working practice through a selection of over 130 large and small scale photographs, including images never seen before. The exhibition is timed to coincide with the Victoria and Albert Museum’s Alexander McQueen: Savage Beauty fashion exhibition. 

Waplington photographed McQueen’s idiosyncratic creative journey as he prepared and presented his final Autumn/Winter collection, The Horn of Plenty, in 2009. He was given unprecedented access to McQueen’s studio, and captured an intense and theatrical working process, from sketching to production to the Paris catwalk show. McQueen conceived The Horn of Plenty collection as an iconoclastic retrospective of his career in fashion, reusing silhouettes and fabrics from his earlier collections, and creating a catwalk set out of broken mirrors and discarded elements from the sets of his past shows. This radical theme provided inspiration for Waplington, best known for his photographic work centred on issues of class, identity and conflict. Their artistic collaboration reveals a raw and unpolished side of the fashion world, juxtaposing candid images of McQueen’s working process with rigorously produced photographs of landfill sites and recycling plants, to create a powerful commentary on destruction and creative renewal.  

The photobook that resulted from this collaboration is unlike anything of its kind. Waplington and McQueen worked on the book together and a large maquette of the book, which they shared as they edited the work, will be on display. 

Nick Waplington/Alexander McQueen: Working Process is curated by Simon Baker, Curator of Photography and International Art, Tate, Carolyn Kerr, Head of Programme Management and Isabella Maidment, Assistant Curator Contemporary British Art, Tate Britain.