Franz West

Next year, Tate Modern will present a major exhibition of the work of Franz West (1947-2012). Organised by Tate Modern and the Centre Pompidou, this will be the first posthumous retrospective and the most comprehensive survey of the artist’s work ever staged in the UK. This ambitious exhibition will explore the irreverent sensibility and playful approach to materials, colour and form that characterise West’s punk aesthetic. Almost 200 works including abstract sculptures, furniture, collages and monumental outdoor works, will be brought together showing him as one of the most influential artists of the past 50 years.

Franz West offers the first opportunity to recognise the artist’s legacy, celebrating West’s astounding contribution over four decades and uniting key and rarely seen pieces from across his remarkable career. His friend and collaborator Sarah Lucas will contribute to the exhibition design, developing innovative displays that capture the unique sensibilities of Franz West’s playful yet profoundly philosophical work.

Play and participation were central throughout West’s career. His early series of small abstract sculptures Passstücke (Adaptives), were designed to be touched, worn and manipulated by the public, eschewing beauty in favour of tactile imperfection. Tate will show First Passstück 1978/1994 alongside other important original works from the series, and the installation Passstücke mit Box und Video 1996 where four pieces can be handled by visitors. From the 1980s onwards, this exploration into interactivity inspired West to experiment with chairs and other furniture, sometimes inviting audiences to utilise the art work and become part of it themselves. The exhibition will bring together furniture works first displayed in the artist’s pivotal 1989 exhibition at the Haus Lange Museum, as well as later, large-scale installations such as Auditorium 1992, West’s contribution to Documenta IX, and Epiphany on Chairs 2011.

Tate Modern will also stage a large presentation of the artist’s iconic works in papier-mâché. In contrast to the earlier Passstücke, these irreverently named Legitimate Sculptures were not intended to be handled, but do provoke visceral viewing experiences, at times repulsive or seductive. Occasionally these sculptures were created to stand on unconventional or deliberately crude plinths. In one remarkable collaboration to be exhibited at Tate, Heimo Zobernig created oblong pedestals to sit both beneath and astride West’s coarse and riotously polychromatic sculptures. In the mid-1980s and early 90s, West also displayed texts alongside some works, serving as an invitation to reconsider the sculptures in unexpected ways. A room of the exhibition will be dedicated to showing Redundanz 1986, a complex three-part ensemble accompanied by an enigmatic text that stresses the difference between language and art as ways of understanding the world. These works, as with all of West’s sculptures, show how his art making was always indirectly related to his enquiries into philosophy and psychoanalytic theories.

The exhibition will culminate in an explosion of colour, with an array of West’s dramatic aluminum works and a collection of maquettes for the artist’s outdoor sculptures. Five of these monumental structures, including Rrose (DRAMA) 2001, a five-meter-long work in vibrant pink, will also be installed on Tate Modern’s South Landscape. Further highlights include rarely seen sketches depicting vivid scenes from Vienna’s night clubs of the 1970s and a selection of West’s provocative poster designs.

Franz West is curated by Mark Godfrey, Senior Curator, International Art (Europe and the Americas), Tate Modern and Christine Macel, Chief Curator, Centre Pompidou with Monika Bayer-Wermuth at Tate Modern and Loïc Le Gall and Luise Willer at Centre Pompidou. The exhibition is organised by Tate Modern and the Centre Pompidou, Musée National d’Art Moderne, Paris, where it will run from 12 September to 10 December 2018. The exhibition will also be accompanied by a catalogue from Tate Publishing and a programme of talks and events in the gallery.