Ella Kruglyanskaya
Tate Liverpool
18 May – 18 September 2016 (press view 16 May 2016)
FREE
Supported by Tate Liverpool Commissioning Circle
Tate Liverpool presents the first museum exhibition by New York-based painter Ella Kruglyanskaya (b. 1978, Latvia). Featuring paintings that survey the past ten years of the artist’s work, the exhibition will also debut a selection of new artworks made in 2016.
Kruglyanskaya’s paintings immerse viewers in a bold world of saturated colours and high contrast patterns, populated almost exclusively by women caught in moments of dramatic tension. Her works feature imagined characters framed in scenes of pleasure and conflict, acknowledging the long and contentious history of representing women in visual culture. Female relationships, friendships and dialogues form the foundation of the artist’s varied subject matters.
Her practice engages with many often-overlooked styles, techniques and formal concerns from the history of painting, such as her use of egg tempera. A combination of coloured pigments and egg yolk, this ancient painting medium is more often associated with medieval and early renaissance panel painting than contemporary art and gives Kruglyanskaya’s work a lush, luxurious finish. Working in a style that combines the graphic and the painterly, Kruglyanskaya embraces a wide range of influences from ancient Etruscan wall painting and German expressionism to film and popular culture of the 1950s and 1960s. Her resulting compositions are tightly framed, shallow spaces that suggest constant interplay between the realms of drawing, painting and cinematography.
The female body in Kruglyanskaya’s work is strong and assured: fashion and textiles play an important role in its depiction, with her subjects always pointedly clothed. In this world, male presence is reduced to a cartoonish silhouette or distorted bodily fragment decorating the surface of a swimsuit. These fictional women are characterised honestly and on the artist’s own terms, subverting many traditional expectations of how the female body is to be represented.
The artist has exhibited across Europe and North America, including recent solo shows at Studio Voltaire, London; The Power Station, Dallas; Contemporary Art Centre, Riga, Latvia with Sanya Kantarovsky (all 2014); and White Columns, New York (2011).
Ella Kruglyanskaya is presented in parallel with Francis Bacon: Invisible Rooms and Maria Lassnig. The exhibition is curated by Stephanie Straine, Curator, Tate Liverpool, and will tour to Tramway, Glasgow (8 October – 11 December 2016).
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