Press Release

David Hockney

PRESS RELEASE
6 February 2016

TATE BRITAIN

DAVID HOCKNEY

9 February – 29 May 2017

Open daily 10.00 – 18.00

For public information call +44 (0)20 7887 8888, visit tate.org.uk, follow @Tate#Hockney

Sponsored by the Blavatnik Family Foundation with additional support from the David Hockney Exhibition Supporters Circle

Tate Britain presents the world’s most extensive retrospective of the work of David Hockney. Widely regarded as one of the most successful and recognisable artists of our time, this exhibition celebrates Hockney’s achievement in painting, drawing, photography and video. Following its presentation in London the exhibition, organised in collaboration with the Centre Pompidou and The Metropolitan Museum, will tour internationally to Paris and New York.

David Hockney (b.1937) is unique in British art for the extent of his popular appeal. As he approaches his 80th birthday, this exhibition offers an unprecedented overview of the artist’s work to date. Presented as a chronological overview, it traceshis development from the moment of his prodigious appearance on the public stage as a student in 1961, through to his iconic works of the 1960s and 1970s, and on to his recent success at the Royal Academy and beyond.

The exhibition will show how Hockney has questioned the nature of pictures and picture-making and challenged their conventions. His art is one of the great landmarks of post-modernism, using parody and self-reflection, and playing with representation and artifice. This can be found from his very early works, such as the Love paintings of 1960 and 1961 which subvert the language of abstract expressionism into homoerotic autobiography. The witty and brilliant invention of Hockney’s classic works will be explored, including his portraits of family, friends and himself, as well as his iconic images of LA swimming pools. It will also include his celebrated Yorkshire landscapes of the 2000s and work made since his return to California in 2013.

Hockney is an artist who has frequently changed his style and ways of working, embracing new technologies as he goes. For the first time this exhibition will show how the roots of each new direction lay in the work that came before. For example, his radical ‘joiner’ assemblages of photographs, such as the famous Pearlblossom Highway 1986, informed the paintings of his Hollywood home and the Californian landscapes that he made then and after; and his abstract works of the 1990s influenced his perception of the Yorkshire Wolds and the Grand Canyon.

David Hockney said: ‘It has been a pleasure to revisit works I made decades ago, including some of my earliest paintings. Many of them seem like old friends to me now. We’re looking back over a lifetime with this exhibition, and I hope, like me, people will enjoy seeing how the roots of my new and recent work can be seen in the developments over the years.’


Alex Farquharson, Director, Tate Britain said: ‘David Hockney is without doubt one of Britain’s greatest living artists. His practice is both consistent, in its pursuit of core concerns, while also wonderfully diverse. Hockney’s impact on post-war art, and culture more generally, is inestimable, and this is a fantastic opportunity to see the full trajectory of his career to date.’

David Hockney is curated at Tate Britain by Chris Stephens, Head of Displays & Lead Curator, Modern British Art, and Andrew Wilson, Curator Modern and Contemporary Art and Archives, with Assistant Curator Helen Little. This exhibition is organised by Tate Britain in collaboration with the Centre Pompidou, Paris and The Metropolitan Museum, New York. It is accompanied by a major catalogue from Tate Publishing and a programme of talks and events in the gallery.

For press information contact Rachael.Young@tate.org.uk or Daisy.Taylor@tate.org.uk
or call +44(0)20 7887 8832/8730. For high-resolution images visit tate.org.uk/press

NOTES TO EDITORS

ABOUT THE BLAVATNIK FAMILY FOUNDATION

The Blavatnik Family Foundation supports a wide range of cultural, educational and charitable causes in the UK, the US, Israel, Russia and throughout the world. These include the establishment of the Blavatnik School of Government at Oxford, support for the Tate Modern extension, and science programmes at Cambridge, Harvard, Yale, and the New York Academy of Sciences.

RELATED EVENTS

FESTIVAL NO.6

Friday 3 March 2017

Tickets £69

A unique new mini-festival, taking place inside Tate Britain. The night will include live music from Blossoms, poetry from John Cooper Clarke, comedy from Sarah Pascoe, and pop-up theatre performers across the gallery. Tickets also include exclusive evening access to the David Hockney exhibition.

MEMBERS EARLY MORNING VIEWS

Every Saturday and Sunday, 8.00 – 10.00

In the exhibition

Exclusive early morning viewings for members. 

DRAWING FROM HOCKNEY

Fridays, 10 February – 10 March, 18.45 – 20.45

Taylor Digital Studio and Library and Archive room

£130 / Concessions £100

Using Hockney’s iPad drawings as inspiration, this five-week course led by digital artist Roz Hall explores the possibilities of digital and painting techniques for iPad, laptop, phone and desktop computers. Participants will be invited to take inspiration from the David Hockney exhibition to create their own digital masterpieces which will then be uploaded to the Tate website. Ticket price includes entry to the exhibition and materials are provided.

CURATOR’S TALK

20 February, 18.30 - 20.30

Clore Auditorium and exhibition

£28 / Concessions £23

Join curator Chris Stephens for an insight into David Hockney’s life and work. This talk will include a private view of the exhibition.

CURATOR’S TALK

20 March, 18.30 – 20.30

In the exhibition

£28 / Concessions £23

Curator Andrew Wilson leads a tour of the exhibition.

HOCKNEY IN FOCUS

26 March, 17.30 – 21.00

Clore Auditorium and exhibition

£85 / Concessions £75
Join biographer Christopher Simon Sykes and exhibition curator Chris Stephens for an exclusive event including talks, a private view of the exhibition, wine reception and a paperback copy of the catalogue.

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