Joseph Mallord William Turner Hals and Burg Hals above the River Ilz, from the South 1840
Joseph Mallord William Turner 1775–1851
Hals and Burg Hals above the River Ilz, from the South 1840
D28960
Turner Bequest CCXCII 13
Turner Bequest CCXCII 13
Pencil, watercolour and gouache on grey wove paper, 142 x 191 mm
Blind-stamped with Turner Bequest monogram towards bottom left
Stamped in black ‘CCXCII – 13’ bottom right
Blind-stamped with Turner Bequest monogram towards bottom left
Stamped in black ‘CCXCII – 13’ bottom right
Accepted by the nation as part of the Turner Bequest 1856
Exhibition history
1869
First Loan Collection selected from the Turner Bequest, various venues and dates 1869–before 1909 (no catalogue but numbered 109, as one of ‘Two Mountain Scenes, with Fortress (Colour, on grey)’.
1971
10th Anniversary Exhibition 1961–1971: Turner: Major Loan Collection: Theme – Water: Lakes, Streams, Rivers & Seas: Late Watercolours by Courtesy of the Trustees of the British Museum: Also Other Artists Sharing a Common Theme, Arts Centre, Folkestone, December 1971–January 1972 (3, as ‘Mountain Scene, with Fortress’).
1984
J.M.W. Turner in Luxembourg and its neighbourhood, Musée de l’Etat, Luxembourg, March–April 1984 (48, as ‘Vue des châteaux d’Eltz (Eltzbach, affluent de la Moselle)’, c.1834, reproduced).
1995
Turner in Germany, Tate Gallery, London, May–September 1995, Städtische Kunsthalle Mannheim, September 1995–January 1996, Hamburger Kunsthalle, Hamburg, January–March 1996 (91, as ‘Burg Hals and the Ilz from the Hillside’, 1840, reproduced in colour).
2004
Turner and Williamson / In the Haze: Watercolours by Turner and Williamson, Tate Britain, London, January–May 2004, Lady Lever Art Gallery, Port Sunlight, June–August 2004 (no catalogue; exhibited in London only).
2007
The Abstraction of Landscape: From Northern Romanticism to Abstract Expressionism, Fundación Juan March, Madrid, October 2007–January 2008 (39, as ‘Burg Hals and the Ilz from the Hillside’, 1840, reproduced in colour).
References
1834
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.II, p.938, CCXCII 13, as ‘12 & 13. Two mountain scenes, with fortress. ... (13) Do. [i.e. ditto: Mountain scene] with fortress. (? Schloss Eltz.). 1st Loan Collection, No.109’, c.1834.
1971
John Eveleigh, 10th Anniversary Exhibition 1961–1971: Turner: Major Loan Collection: Theme – Water: Lakes, Streams, Rivers & Seas: Late Watercolours by Courtesy of the Trustees of the British Museum: Also Other Artists Sharing a Common Theme, exhibition catalogue, Arts Centre, Folkestone 1971, p.[6] no.3, as ‘Mountain Scene, with Fortress’.
1975
Gerald Wilkinson, Turner’s Colour Sketches 1820–34, London 1975, reproduced in colour p.96, as ‘Schloss Eltz?’.
1834
Jean-Claude Muller and Jean Luc Koltz in Gèrard Thill, Muller and Koltz, J.M.W. Turner in Luxembourg and its neighbourhood, exhibition catalogue, Musée de l’Etat, Luxembourg 1984, p.114 no.48, as ‘Vue des châteaux d’Eltz (Eltzbach, affluent de la Moselle)’, c.1834, reproduced.
1991
Ian Warrell, ‘R.N. Wornum and the First Three Loan Collections: A History of the Early Display of the Turner Bequest outside London’, Turner Studies, vol.11, no.1, Summer 1991, p.41 no.109, as one of ‘Two Mountain Scenes, with Fortress (Colour, on grey)’.
1995
Cecilia Powell, Turner in Germany, exhibition catalogue, Tate Gallery, London 1995, pp.69, 162–3 no.91, as ‘Burg Hals and the Ilz from the Hillside’, 1840, reproduced in colour.
Burg Hals is shown high above the village of the same name along the neck of a tight meander of the River Ilz,1 in hilly wooded countryside barely a mile due north of Passau in southern Germany, which Turner reached in mid-September 1840 (see under Tate D28993, D29006, D33871; Turner Bequest CCXCII 46, 57, CCCXLI 174, in this subsection). As recognised by Cecilia Powell, the view here is due north from the hills just outside the city, with the spire of St George’s Church aligned below the jagged castle keep, framed by the river running north to the left and back south again on the right. The tower of nearby Burg Reschenstein is shown beyond to the left.2 The church, the ruins and reflections from the water are picked out in white against the soft colours of the landscape; with slight indications of figures sharing the elevated viewpoint towards the bottom left.
The castle ruins are the focus of six atmospheric colour studies on both brown and grey papers (see also Tate D24776, D28997, D29011–D29012, D36162; Turner Bequest CCLIX 211, CCXCII 49, 60, 61, CCCLXIV 305). They were also drawn in pencil from numerous angles in the contemporary Venice; Passau to Würzburg sketchbook (see under Tate D31391; Turner Bequest CCCX 58a), and on Tate D33667, D33669 and D33670 (Turner Bequest CCCXL 2, 4, 5) in the larger Passau and Burg Hals book, D33667 being developed with watercolour. Compare in particular D28997, a variant from a little lower and further forward to the left; D31405 (CCCX 65a) in the Venice; Passau to Würzburg book is a detailed study of the castle from about the same angle, while D33669 and D33670 show similarly elevated wider prospects from further east.
Finberg tentatively identified the present subject as ‘? Schloss Eltz’,3 a dramatically situated castle near the River Mosel, which Turner happens to have drawn on his outward journey in 1840 (see Tate D28955, D28988; Turner Bequest CCXCII 8, 41). Tate D28959 (Turner Bequest CCXCII 12), coupled with this sheet in the 1909 Inventory4 on account of their being exhibited together in the First Loan Collection, is technically similar, but the subject is unrelated, albeit on a loosely comparable theme.
Technical notes:
Thick white gouache was used on its own, and also mixed into the blue strip of sky. The bare paper above appears more yellowed owing to prolonged early display than the rest of the sheet, and the corresponding part of the verso is similarly affected.
For discussion of the grey sheets Turner used for this subject among others in the Passau area on grey and brown, see the overall Introduction to the tour.1
Verso:
Blank; inscribed by John Ruskin in red ink ‘44’ bottom left; inscribed in pencil ‘107c’ right of centre; stamped in black with Turner Bequest monogram over ‘CCXCII – 13’ towards bottom right; inscribed in pencil ‘CCXCII – 13’ bottom centre.
Matthew Imms
September 2018
How to cite
Matthew Imms, ‘Hals and Burg Hals above the River Ilz, from the South 1840 by Joseph Mallord William Turner’, catalogue entry, September 2018, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, December 2019, https://www