Joseph Mallord William Turner Inscription by Turner: A Draft of Poetry ?1840
Joseph Mallord William Turner 1775–1851
Inscription by Turner: A Draft of Poetry ?1840
D40182
Pencil on white wove paper, 192 x 280 mm
Inscribed by Turner in pencil with lines of poetry at top (see main catalogue entry)
Inscribed by Turner in pencil with lines of poetry at top (see main catalogue entry)
Accepted by the nation as part of the Turner Bequest 1856
References
1962
Martin Butlin, Turner Watercolours, London 1962, p.60 under no.21.
1975
Andrew Wilton, Turner in the British Museum: Drawings and Watercolours, exhibition catalogue, Department of Prints and Drawings, British Museum, London 1975, p.150 under no.261, with transcription.
1993
Andrew Wilton and Anne Lyles, The Great Age of British Watercolours 1750–1880, exhibition catalogue, Royal Academy of Arts, London 1993, p.310 under no.298, with transcription.
2003
Ian Warrell in Warrell, David Laven, Jan Morris and others, Turner and Venice, exhibition catalogue, Tate Britain, London 2003, pp.140, 236, with transcription.
The watercolour on the recto, Tate D36192 (Turner Bequest CCCLXIV 334), is a moonlit view of the Lagoon near Venice, associated with Turner’s 1840 visit. This side was used for neat but partly illegible lines of what appear to be related poetry, not recorded in Finberg’s 1909 Inventory1 and first noted by Martin Butlin as ‘about the moon’:2
Now [?from a[...] L[...]
thrills [...]
as the Moon [?descends] yet Venice gleams of many winking lights
and like the darkening sails when [?she] wanes
thrills [...]
as the Moon [?descends] yet Venice gleams of many winking lights
and like the darkening sails when [?she] wanes
This reading, informed largely by those of Andrew Wilton and Ian Warrell,3 is somewhat tentative, even in terms of some of the unqualified words. Warrell has noted that it ‘hints at [Turner’s] sensory engagement with the way Venice was transformed by different transient effects’,4 not only in visual terms.
Technical notes:
There is some warm brown rubbing or offsetting at the left. See under the recto (D36192) for the relationship of this sheet to numerous others used for Venetian subjects around 1840.
Matthew Imms
September 2018
How to cite
Matthew Imms, ‘Inscription by Turner: A Draft of Poetry ?1840 by Joseph Mallord William Turner’, catalogue entry, September 2018, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, December 2019, https://www