Joseph Mallord William Turner The Drachenfels, with Burg Drachenfels above Königswinter on the River Rhine 1840
Joseph Mallord William Turner 1775–1851
The Drachenfels, with Burg Drachenfels above Königswinter on the River Rhine 1840
D33902
Turner Bequest CCCXLI 197
Turner Bequest CCCXLI 197
Pencil on grey wove paper, 140 x 193 mm
Blind-stamped with Turner Bequest monogram towards bottom centre
Inscribed in pencil ‘197’ and in red ink ‘197’ top left, upside down
Stamped in black ‘CCCXLI – 197’ top left, upside down
Blind-stamped with Turner Bequest monogram towards bottom centre
Inscribed in pencil ‘197’ and in red ink ‘197’ top left, upside down
Stamped in black ‘CCCXLI – 197’ top left, upside down
Accepted by the nation as part of the Turner Bequest 1856
References
1830
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.II, p.1073, CCCXLI 197, as ‘Another view of same [i.e. Town beside river (?), with castle on high mountain]’, c.1830–31.
1995
Cecilia Powell, Turner in Germany, exhibition catalogue, Tate Gallery, London 1995, p.151 under no.75, as among Rhine subjects.
Looking up the River Rhine, the Drachenfels hill is shown to the south-east, surmounted by the ruins of Burg Drachenfels above Königswinter, with the tower of St Remigius’s Church. Lightly rendered strokes at the top right perhaps indicate rain. The subject was among those listed in broad terms by Cecilia Powell, as quoted in the technical notes below, in relation to a group of thirteen similar drawings mostly made along rural stretches of the river.
The hill and ruins are also seen in D33901, D33907, D33911 and D33912 (CCCXLI 196, 202, 206, 207) in the same sequence, D33901 being a similar view, apparently from a little closer. Numerous other drawings and watercolours from 1817 onwards are noted under Tate D30500 (Turner Bequest CCCIII 22) in the Würzburg, Rhine and Ostend sketchbook, used on the Rhine as the artist neared the end of the 1840 tour.
For the likely sequence of the Rhine subjects in this grouping and the wider context of the tour, see the Introduction to this subsection. The other side of the sheet is D33914 (Turner Bequest CCCXLI 209), showing Burg Hammerstein, about fifteen miles upriver.
Technical notes:
In discussing one of the 1840 River Mosel subjects in this subsection (Tate D28998; Turner Bequest CCXCII 50), Cecilia Powell has noted that it ‘originally formed part of the same sheet as eight others of the same size which bear pencil drawings of the Rhine on both recto and verso. These include views of Bonn, the Godesburg, Rolandseck, the Drachenfels, Hammerstein and Burg Rheineck (TB CCCXLI 194–209 [Tate D33899–D33914, of which D33903, D33904 and D33906 are blank]). The sheet is watermarked BE&S / 1829.’1 Apparently indicating that they were still joined in 1909, Finberg noted the ‘following numbers, 194–209, form [sic] part of one large sheet folded into small sections.’2
Powell has noted the many sheets of grey 1829 Bally, Ellen and Steart paper used on Turner’s 1840 tour, neatly torn as eighths or sixteenths of the overall sheet, with dimensions of around 190 x 280 or 140 x 190 mm, and variously worked with pencil, watercolour and gouache; see the technical notes in the overall Introduction for others.3
Matthew Imms
September 2018
How to cite
Matthew Imms, ‘The Drachenfels, with Burg Drachenfels above Königswinter on the River Rhine 1840 by Joseph Mallord William Turner’, catalogue entry, September 2018, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, December 2019, https://www