Joseph Mallord William Turner The Back of the Palazzo Foscari, Venice, from the Rio di Ca' Foscari; the Heilig-Kreuz-Kirche, Coburg, and Veste Coburg 1840
Joseph Mallord William Turner 1775–1851
Folio 5 Recto:
The Back of the Palazzo Foscari, Venice, from the Rio di Ca’ Foscari; the Heilig-Kreuz-Kirche, Coburg, and Veste Coburg 1840
D31285
Turner Bequest CCCX 5
Turner Bequest CCCX 5
Pencil on cream wove paper, 126 x 198 mm
Inscribed by John Ruskin in red ink ‘5’ top right, ascending vertically
Stamped in black ‘CCCX – 5’ top right, ascending vertically
Inscribed by John Ruskin in red ink ‘5’ top right, ascending vertically
Stamped in black ‘CCCX – 5’ top right, ascending vertically
Accepted by the nation as part of the Turner Bequest 1856
Exhibition history
2003
Turner and Venice, Tate Britain, London, October 2003–January 2004, Kimbell Art Museum, Fort Worth, February–May 2004, Museo Correr, Venice, September 2004–January 2005, Fundació ”la Caixa”, Barcelona, March–June 2005 (83, as ‘“Venice: Passau to Würzburg sketchbook” | Two Views of the Palazzo Foscari’, 1840, reproduced in colour; exhibited in London only).
References
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.II, p.997, CCCX 5, as ‘Bridge and houses. Do. [i.e. ditto: ?Venice]’.
1930
A.J. Finberg, In Venice with Turner, London 1930, p.172, as ‘Bridge and houses at Venice’.
1995
Cecilia Powell, Turner in Germany, exhibition catalogue, Tate Gallery, London 1995, p.242, as ‘(1) Venice | (2) Veste Coburg and the Heiligkreuzkirche’.
2003
Ian Warrell, David Laven, Jan Morris and others, Turner and Venice, exhibition catalogue, Tate Britain, London 2003, p.271 no.83, as ‘“Venice: Passau to Würzburg sketchbook” | [one of] Two Views of the Palazzo Foscari’, 1840, fig.87 (colour).
The main view, made with the page turned horizontally, is of the Rio di Ca’ Foscari, looking east towards its junction with the Grand Canal. In the left foreground is a corner of the Ca’ Dolfin, with the Palazzo Balbi in the distance, now obscured by the Ca’ Foscari Rio Nuovo building opposite the main subject here, the back of the Palazzo Foscari; the front of the latter appears in the distance on folio 4 verso opposite (D31284).
The elaborate doorway from the Fontamenta del Tagiapiera into the courtyard at the right of the Ponte Foscari still stands in a battlemented brick wall, now bearing the legend ‘Universita Ca’ Foscari’ below the heraldic relief sculpture of its stone tympanum. A four-storey terrace now continues along the quay to the right of the tallest building shown on the near side of the gate.
As noted in the sketchbook’s Introduction, the Venice views on its early pages are intermingled with German sketches from Turner’s return journey. Inverted in the sky of the main view is what Cecilia Powell has identified as a Coburg subject, with the spire of the Heilig-Kreuz-Kirche at the northern end of the town’s centre on the right, and the Veste Coburg fortress high to the east beyond; later buildings and tree growth now preclude a clear view.
Matthew Imms
September 2018
How to cite
Matthew Imms, ‘The Back of the Palazzo Foscari, Venice, from the Rio di Ca’ Foscari; the Heilig-Kreuz-Kirche, Coburg, and Veste Coburg 1840 by Joseph Mallord William Turner’, catalogue entry, September 2018, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, December 2019, https://www