Joseph Mallord William Turner Vernon c.1833
Joseph Mallord William Turner 1775–1851
Vernon c.1833
D24694
Turner Bequest CCLIX 129
Turner Bequest CCLIX 129
Gouache and watercolour on blue paper, 139 x 194 mm
Blind-stamped with Turner Bequest monogram bottom left
Stamped in black ‘CCLIX – 129’ bottom right
Blind-stamped with Turner Bequest monogram bottom left
Stamped in black ‘CCLIX – 129’ bottom right
Accepted by the nation as part of the Turner Bequest 1856
Exhibition history
1904
National Gallery, London, various dates to at least 1904 (153, as ‘Vernon’).
1953
Le Paysage anglais de Gainsborough à Turner, Orangerie des Tuileries, Paris, February–April 1953 (79).
1953
Display of Watercolours from the Turner Bequest, Tate Gallery, London, January 1953–April 1959 (no.II:2a).
1963
J.M.W. Turner, Bridgestone Gallery, Tokyo, September–October 1963, Fine Arts Museum, Osaska, November (15a).
1964
Turner 1775–1851: Watercolours from the British Museum, London, Presented in Association with the British Council, City Hall Art Gallery, Hong Kong, January 1964 (15a).
1974
Turner 1775–1851, Royal Academy, London, November 1974–March 1975 (403).
1978
Търнър, Shipka Gallery, Sofia, Bulgaria, April[?–May] 1978, Belgrade, Serbia [former Yugoslavia], May, Muzeul de Arte al RS [Republica Socialista] Romania, Bucharest, June–July (47).
1981
J.M.W. Turner (1775–1851) / ΤΖ.Μ.Γ. Τερνερ (1775–1851), National Pinakothiki, Athens, January–March 1981 (45).
1981
Turner en France: aquarelles, peintures, dessins, gravures, carnets de croquis / Turner in France: Watercolours, Paintings, Drawings, Engravings, Sketchbooks, Centre Culturel du Marais, Paris, October 1981–January 1982 (138).
1995
Sketching the Sky: Watercolours from the Turner Bequest, Tate Gallery, London, September 1995–February 1996 (no number).
1999
Turner on the Seine, Tate Gallery, London, June–October 1999, Pavillon des Arts, Paris, October 1999–January 2000, Musée Malraux, Le Havre, March–June (136).
References
1834
Spectator, 6 December 1834, p.1167.
1903
E.T. Cook and Alexander Wedderburn eds., Library Edition: The Works of John Ruskin: Volume III: Modern Painters: Volume I: Containing Parts I and II: Of General Principles; and Of Truth, London 1903, p.549.
1904
E.T. Cook and Alexander Wedderburn eds., Library Edition: The Works of John Ruskin: Volume XIII: Turner: The Harbours of England; Catalogues and Notes, London 1904, pp.387, 615 no.153, as ‘Vernon’.
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.II, p.796, CCLIX 129, as ‘Vernon’.
1913
W[illiam] G[eorge] Rawlinson, The Engraved Work of J.M.W. Turner, R.A., vol.II, London 1913, p.271 under no.475.
1953
Anthony Blunt, Le Paysage anglais de Gainsborough à Turner, exhibition catalogue, Orangerie des Tuileries, Paris 1953, p.[30] no.79.
1963
Basil Gray, Edward Croft-Murray and Martin Butlin, J.M.W. Turner, exhibition catalogue, Bridgestone Gallery, Tokyo 1963, p.16 no.15a reproduced.
1964
Basil Gray, Edward Croft-Murray and Martin Butlin, Turner 1775–1851: An Exhibition of Watercolours from the British Museum London, Presented in Association with the British Council, exhibition catalogue, City Hall Art Gallery, Hong Kong 1964, p.13 no.15a.
1829
Martin Butlin, Andrew Wilton and John Gage, Turner 1775–1851, exhibition catalogue, Royal Academy, London 1974, p.119 no.403, as ‘Vernon c.1829’.
1977
Nicholas J. Alfrey, ‘Turner and the French Rivers’, unpublished MA Report, Courtauld Institute, University of London 1977, pp.19–20, 49–50.
1978
Timothy Clifford, Търнър, exhibition catalogue, Shipka Gallery, Sofia, Bulgaria 1978, p.[23] no.47.
1832
Andrew Wilton, J.M.W. Turner: His Life and Work, Fribourg 1979, p.415 no.973, reproduced, as ‘Vernon c.1832’.
1981
Maurice Guillaud, Nicholas Alfrey, Andrew Wilton and others, Turner en France: aquarelles, peintures, dessins, gravures, carnets de croquis / Turner in France: Watercolours, Paintings, Drawings, Engravings, Sketchbooks, exhibition catalogue, Centre Culturel du Marais, Paris 1981, no.138, pp.446–8, fig.908.
1981
Dimitrios Papastamos, John Gage and Lindsay Stainton, J.M.W. Turner (1775–1851) / ΤΖ.Μ.Γ. Τερνερ (1775–1851), exhibition catalogue, National Pinakothiki, Athens 1981, p.[121] no.45 reproduced.
1990
Luke Herrmann, Turner Prints: The Engraved Work of J.M.W. Turner, Oxford 1990, p.176, fig.140.
1995
Sketching the Sky: Watercolours from the Turner Bequest, exhibition catalogue, Tate Gallery, London 1995, p.[10].
1995
Ian Warrell, Through Switzerland with Turner: Ruskin’s First Selection from the Turner Bequest, exhibition catalogue, Tate Gallery, London 1995, p.148 under nos.84–101.
1999
Ian Warrell, Turner on the Seine, exhibition catalogue, Tate Gallery, London 1999, pp.19, 25, 69, 70, 80, 191, 202, 204, 276 no.136, fig.188 (colour).
2009
J.R. Piggott, ‘Salerooms Report’, Turner Society News, no.113, December 2009, p.14.
Engraved:
By J.T. Willmore in 1834, published in 1835.
By J.T. Willmore in 1834, published in 1835.
In this watercolour, Turner presents a tranquil view over the old multi-arched bridge stretching across the river Seine at the town of Vernon, located in northern France, approximately midway between the cities of Rouen and Paris (and a few miles from Claude Monet’s later gardens at Giverny). The structures on the bridge are mills. The bridge is depicted from the west; two towers of the Château des Tourelles castle are just visible on the far left. Turner conveys quiet activity. Under a softly glowing, delicately blue sky, he depicts figures on the riverbank in the foreground, sitting, standing or engaged in other actions whilst coaches pass along the road stretching back at far right. He renders the arched gateway, tower and church behind in mellow shades of mauve in gentle contrast to the warm yellow tones of the right foreground below.
An engraving was made of this watercolour by J.T. Willmore in 1834, as Vernon (Tate impressions T04710 and T06247) for the volume Wanderings by the Seine of 1835.2 The soft sky of the watercolour has been worked into a more dramatic effect in the engraving, with sunlight picking out the edges of clouds and points on the water.
There are related inscriptions on the verso (D40111).
Caroline South
November 2017
How to cite
Caroline South, ‘Vernon c.1833 by Joseph Mallord William Turner’, catalogue entry, November 2017, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, November 2019, https://www