Joseph Mallord William Turner Château Gaillard from the South (Vignette) c.1833
Joseph Mallord William Turner 1775–1851
Château Gaillard from the South (Vignette) c.1833
D24692
Turner Bequest CCLIX 127
Turner Bequest CCLIX 127
Gouache and watercolour on blue paper, 195 x 140 mm
Inscribed by Turner in watercolour ‘Ferry of Petit Andylie’ towards bottom centre
Blind-stamped with Turner Bequest monogram top right
Stamped in black ‘CCLIX – 127’ top right, ascending vertically
Inscribed by Turner in watercolour ‘Ferry of Petit Andylie’ towards bottom centre
Blind-stamped with Turner Bequest monogram top right
Stamped in black ‘CCLIX – 127’ top right, ascending vertically
Accepted by the nation as part of the Turner Bequest 1856
Exhibition history
1904
National Gallery, London, various dates to at least 1904 (151, as ‘Château Gaillard (Vignette)’).
1981
Turner en France: aquarelles, peintures, dessins, gravures, carnets de croquis / Turner in France: Watercolours, Paintings, Drawings, Engravings, Sketchbooks, Centre Culturel du Marais, Paris, October 1981–January 1982 (121).
1999
Turner on the Seine, Tate Gallery, London, June–October 1999, Pavillon des Arts, Paris, October 1999–January 2000, Musée Malraux, Le Havre, March–June (134).
References
1834
Spectator, 6 December 1834, p.1167.
1903
E.T. Cook and Alexander Wedderburn eds., Library Edition: The Works of John Ruskin: Volume III: Modern Painters: Volume I: Containing Parts I and II: Of General Principles; and Of Truth, London 1903, p.314.
1904
E.T. Cook and Alexander Wedderburn eds., Library Edition: The Works of John Ruskin: Volume XIII: Turner: The Harbours of England; Catalogues and Notes, London 1904, pp.387, 615 no.150, as ‘Château Gaillard (Vignette)’.
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.II, p.796, CCLIX 127, as ‘Château Gaillard. (Vignette)’.
1913
W[illiam] G[eorge] Rawlinson, The Engraved Work of J.M.W. Turner, R.A., vol.II, London 1913, p.271 under no.473.
1975
Joseph R. Goldyne, J.M.W. Turner: Works on Paper from American Collections, exhibition catalogue, University Art Museum, Berkeley, California 1975, p.130 under no.33.
1832
Maurice Guillaud, Nicholas Alfrey, Andrew Wilton and others, Turner en France: aquarelles, peintures, dessins, gravures, carnets de croquis / Turner in France: Watercolours, Paintings, Drawings, Engravings, Sketchbooks, exhibition catalogue, Centre Culturel du Marais, Paris 1981, no.121, p.429, as c.1832, fig.973.
1832
Andrew Wilton, J.M.W. Turner: His Life and Work, Fribourg 1979, p.414 no.971, reproduced, as ‘Château Gaillard, from the south c.1832’.
1990
Luke Herrmann, Turner Prints: The Engraved Work of J.M.W. Turner, Oxford 1990, p.176.
1992
Anne Lyles, Turner: The Fifth Decade: Watercolours 1830–1840, exhibition catalogue, Tate Gallery, London 1992, p.61 under no.31.
1993
Dr Jan Piggott, Turner’s Vignettes, exhibition catalogue, Tate Gallery, London 1993, p.51 no.30, reproduced.
1997
Martin F. Krause, Turner in Indianapolis: The Pantzer Collection of Drawings and Watercolors by J.M.W. Turner and his Contemporaries at the Indianapolis Museum of Art, Indianapolis 1997, p.172 under no.52.
1999
Ian Warrell, Turner on the Seine, exhibition catalogue, Tate Gallery, London 1999, pp.69, 70, 81, 191, 196, 200, 276 no.134, fig.180 (colour).
Engraved:
By John Cousen in 1834, published in 1835.
By John Cousen in 1834, published in 1835.
In this vignette watercolour, a moonlit scene emerges from the blue background paper, with Château Gaillard in northern France rising up on the right. The castle is depicted from the south and Turner picks out its craggy surface in delicate tones of salmon pink as if illuminated by the rosy hue of a sun rising from the west, whilst the lower left side of the cliff remains in contrasting lilac shadow. Against the still and calm water, a line of men curve with the exertion of tugging the boat at right. Another boat is silhouetted in the distance at left, beneath the slim tower of the Church of Saint-Sauveur reaching up into the sky, in the village of Les Andelys. Turner was aware that the village beneath the castle was the birthplace of the renowned seventeenth-century French artist Nicholas Poussin, and in another vignette watercolour, Nicolas Poussin’s Birthplace: Château-Gaillard and Les Andelys, 1830–32 (Indianapolis Museum of Art),1 depicted Poussin sketching below the castle.2
The watercolour is based on the many pencil sketches of the castle (Tate D23959–D23995; Turner Bequest CCLIV 40–58,3 and in particular D23988–D23989; Turner Bequest CCLIV 54a, 55)4 in Turner’s Seine and Paris sketchbook of 1832, and a pen and ink sketch, The River Crossing below Château Gaillard, ?1827 (Tate D24849; Turner Bequest CCLX 13).5
Verso:
Blank, except for an inscription reading ‘1679 19 Oct.33’ with some further illegible inscriptions ascending vertically upwards at lower left of the sheet, in white chalk. ‘13a[?]’ appears to have been written in pencil at upper right. The lower centre is stamped with the Turner Bequest monogram above the number ‘CCLIX – 127’, which is also written in pencil below. There is some dark blue ink staining at the lower left and right corners.
Caroline South
November 2017
How to cite
Caroline South, ‘Château Gaillard from the South (Vignette) c.1833 by Joseph Mallord William Turner’, catalogue entry, November 2017, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, November 2019, https://www