Joseph Mallord William Turner Troyes c.1833
Joseph Mallord William Turner 1775–1851
Troyes c.1833
D24691
Turner Bequest CCLIX 126
Turner Bequest CCLIX 126
Gouache and watercolour on blue paper, 142 x 191 mm
Blind-stamped with Turner Bequest monogram bottom left
Stamped in black ‘CCLIX – 126’ bottom right
Blind-stamped with Turner Bequest monogram bottom left
Stamped in black ‘CCLIX – 126’ bottom right
Accepted by the nation as part of the Turner Bequest 1856
Exhibition history
1904
National Gallery, London, various dates to at least 1904 (150, as ‘Troyes’).
1981
Turner en France: aquarelles, peintures, dessins, gravures, carnets de croquis / Turner in France: Watercolours, Paintings, Drawings, Engravings, Sketchbooks, Centre Culturel du Marais, Paris, October 1981–January 1982 (148).
1992
Turner: The Fifth Decade: Watercolours 1830–1840, Tate Gallery, London, February–May 1992 (36).
1999
Turner on the Seine, Tate Gallery, London, June–October 1999, Pavillon des Arts, Paris, October 1999–January 2000, Musée Malraux, Le Havre, March–June (152).
References
1834
Spectator, 6 December 1834, p.1168.
1904
E.T. Cook and Alexander Wedderburn eds., Library Edition: The Works of John Ruskin: Volume XIII: Turner: The Harbours of England; Catalogues and Notes, London 1904, pp.388, 615 no.150, as ‘Troyes’.
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, Volume II, p.796, CCLIX 126, as ‘Troyes’.
1913
W[illiam] G[eorge] Rawlinson, The Engraved Work of J.M.W. Turner, R.A., vol.II, London 1913, p.276 under no.492.
1977
Nicholas J. Alfrey, ‘Turner and the French Rivers’, unpublished MA Report, Courtauld Institute, University of London 1977, p.16.
1832
Andrew Wilton, J.M.W. Turner: His Life and Work, Fribourg 1979, p.417 no.990, reproduced, as ‘Troyes c.1832’.
1981
Maurice Guillaud, Nicholas Alfrey, Andrew Wilton and others, Turner en France: aquarelles, peintures, dessins, gravures, carnets de croquis / Turner in France: Watercolours, Paintings, Drawings, Engravings, Sketchbooks, exhibition catalogue, Centre Culturel du Marais, Paris 1981, no.148, p.464 fig.920.
1989
Anne Lyles and Diane Perkins, Colour into Line: Turner and the Art of Engraving, exhibition catalogue, Tate Gallery, London 1989, p.42 under no.27.
1990
Luke Herrmann, Turner Prints: The Engraved Work of J.M.W. Turner, Oxford 1990, p.180.
1992
Anne Lyles, Turner: The Fifth Decade: Watercolours 1830–1840, exhibition catalogue, Tate Gallery, London 1992, p.18, reproduced in colour p.31, pp.54 under no.18, 63 under no.34, 64 no.36, reproduced.
1999
Ian Warrell, Turner on the Seine, exhibition catalogue, Tate Gallery, London 1999, pp.59, 69, 71, 81, 248–50, 278 no.152, fig.254.
Engraved:
By J.C. Armytage in 1834, published in 1835.
By J.C. Armytage in 1834, published in 1835.
In this watercolour, Turner presents a tranquil view on the bank of the River Seine at the town of Troyes, the ancient capital of the Champagne region, in north-central France. Turner portrays figures in relaxed poses. Troyes cathedral in the background is conveyed in softly contrasting colours of salmon and lilac. Light falls from the top right corner, picking out edges of the buildings at far right in russet tones, highlighting the edges of turrets to the left before hitting and highlighting the tower just left of centre, and leaving the area at central right in purpled shadow, above the still water. All these elements suggest it is early evening.
An engraving was made of this watercolour by J.C. Armytage in 1834, as Troyes (Tate impressions T04726, T05626 and T06264) for the volume Wanderings by the Seine of 1835.4 This is the last of Turner’s series of illustrations to appear in the volume. Various elements have been added to the engraving, namely a crescent moon high at the top centre of the sheet, its reflection in the water at bottom centre, and several ducks in the lower right corner.
Verso:
Previous records note inscriptions in gouache ‘21[?] | Troyes’ and in pencil ‘20’; however, currently covered and simply marked ‘No image on the back.’
Caroline South
November 2017
How to cite
Caroline South, ‘Troyes c.1833 by Joseph Mallord William Turner’, catalogue entry, November 2017, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, November 2019, https://www