Joseph Mallord William Turner Mantes c.1833
Joseph Mallord William Turner 1775–1851
Mantes c.1833
D24680
Turner Bequest CCLIX 115
Turner Bequest CCLIX 115
Gouache and watercolour on blue paper, 142 x 194 mm
Blind-stamped with Turner Bequest monogram bottom right
Stamped in black ‘CCLIX – 115’ bottom right
Blind-stamped with Turner Bequest monogram bottom right
Stamped in black ‘CCLIX – 115’ bottom right
Accepted by the nation as part of the Turner Bequest 1856
Exhibition history
1904
National Gallery, London, various dates to at least 1904 (139, as ‘Mantes’).
1981
Turner en France: aquarelles, peintures, dessins, gravures, carnets de croquis / Turner in France: Watercolours, Paintings, Drawings, Engravings, Sketchbooks, Centre Culturel du Marais, Paris, October 1981–January 1982 (134).
1999
Turner on the Seine, Tate Gallery, London, June–October 1999, Pavillon des Arts, Paris, October 1999–January 2000, Musée Malraux, Le Havre, March–June (138).
References
1834
Spectator, 6 December 1834, p.1167.
1904
E.T. Cook and Alexander Wedderburn eds., Library Edition: The Works of John Ruskin: Volume XIII: Turner: The Harbours of England; Catalogues and Notes, London 1904, pp.387, 614 no.139, as ‘Mantes’.
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.II, p.795, CCLIX 114, as ‘Mantes’.
1913
W[illiam] G[eorge] Rawlinson, The Engraved Work of J.M.W. Turner, R.A., vol.II, London 1913, p.272 under no.478.
1977
Nicholas J. Alfrey, ‘Turner and the French Rivers’, unpublished MA Report, Courtauld Institute, University of London 1977, pp.19–20, 26.
1832
Andrew Wilton, J.M.W. Turner: His Life and Work, Fribourg 1979, p.415 no.976, reproduced, as c.1832.
1981
Maurice Guillaud, Nicholas Alfrey, Andrew Wilton and others, Turner en France: aquarelles, peintures, dessins, gravures, carnets de croquis / Turner in France: Watercolours, Paintings, Drawings, Engravings, Sketchbooks, exhibition catalogue, Centre Culturel du Marais, Paris 1981, no.134, p.445, fig.909.
1990
Luke Herrmann, Turner Prints: The Engraved Work of J.M.W. Turner, Oxford 1990, p.177.
1999
Ian Warrell, Turner on the Seine, exhibition catalogue, Tate Gallery, London 1999, pp.69, 81, 206, 249, 276 no.138, fig.193 (colour).
Engraved:
By William Radclyffe in 1834, published in 1835.
By William Radclyffe in 1834, published in 1835.
In this watercolour, Turner depicts figures at dusk on a bank of the River Seine in the town of Mantes-la-Jolie, in north-central France. The town’s two-towered Collegiate Church of Notre-Dame is shown at right, above the old multi-arched bridge at left spanning the water. With simple washes of watercolour, touches of white gouache, and pen, Turner indicates town buildings on the right. He conveys the rosy last light of day as emanating from a setting sun, catching the solitary Saint-Maclou tower at far right. A touch of the delicate pink hue scatters around the rooves and upper storeys of the buildings surrounding the base of the tower and is echoed on the lower roof at centre of the church as well as in its twin towers. As sunlight departs to the right, a bright moon is shown rising on the left, illuminating the clouds around it. Turner depicts activity at the end of the day. Boats are indicated on the river. Figures in the foreground are shown drawing in their fishing nets (more apparent in the engraving noted below), folding linen, and others sitting, perhaps waiting for a boat.
There does not appear to be an identifiable preliminary sketch.
There are related inscriptions on the verso (D40122).
Caroline South
November 2017
How to cite
Caroline South, ‘Mantes c.1833 by Joseph Mallord William Turner’, catalogue entry, November 2017, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, November 2019, https://www