Joseph Mallord William Turner Pont-de-l'Arche c.1833
Joseph Mallord William Turner 1775–1851
Pont-de-l’Arche c.1833
D24677
Turner Bequest CCLIX 112
Turner Bequest CCLIX 112
Gouache and watercolour on blue paper, 140 x 191 mm
Blind-stamped with Turner Bequest monogram bottom left
Stamped in black ‘CCLIX – 112’ bottom right
Blind-stamped with Turner Bequest monogram bottom left
Stamped in black ‘CCLIX – 112’ bottom right
Accepted by the nation as part of the Turner Bequest 1856
Exhibition history
1904
National Gallery, London, various dates to at least 1904 (136, as ‘Pont de l’Arche’).
1936
[Display of Watercolours], National Gallery, London, November 1936–September 1939 (frame 16).
1975
Turner in the British Museum: Drawings and Watercolours, Department of Prints and Drawings, British Museum, London, May 1975–February 1976 (195).
1981
Turner en France: aquarelles, peintures, dessins, gravures, carnets de croquis / Turner in France: Watercolours, Paintings, Drawings, Engravings, Sketchbooks, Centre Culturel du Marais, Paris, October 1981–January 1982 (130).
1983
J.M.W. Turner, à l’occasion du cinquantième anniversaire du British Council, Galeries nationales du Grand Palais, Paris, October 1983–January 1984 (183).
1987
Watercolours from the Turner Bequest, Tate Gallery, London, April–October 1987 (no catalogue).
1999
Turner on the Seine, Tate Gallery, London, June–October 1999, Pavillon des Arts, Paris, October 1999–January 2000, Musée Malraux, Le Havre, March–June (133).
References
1834
Spectator, 6 December 1834, p.1167.
1904
E.T. Cook and Alexander Wedderburn eds., Library Edition: The Works of John Ruskin: Volume XIII: Turner: The Harbours of England; Catalogues and Notes, London 1904, pp.387, 613 no.136, as ‘Pont de l’Arche.’.
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.II, p.795, CCLIX 112, as ‘Pont de l’Arche.’.
1913
W[illiam] G[eorge] Rawlinson, The Engraved Work of J.M.W. Turner, R.A., vol.II, London 1913, p.271 under no.476.
1832
Andrew Wilton, Turner in the British Museum: Drawings and Watercolours, exhibition catalogue, Department of Prints and Drawings, British Museum, London 1975, p.122 no.195, as c.1832.
1977
Nicholas J. Alfrey, ‘Turner and the French Rivers’, unpublished MA Report, Courtauld Institute, University of London 1977, pp.19, 26, 33.
1832
Andrew Wilton, J.M.W. Turner: His Life and Work, Fribourg 1979, p.415 no.974, reproduced, as ‘Pont de l’Arche c.1832’.
1981
Maurice Guillaud, Nicholas Alfrey, Andrew Wilton and others, Turner en France: aquarelles, peintures, dessins, gravures, carnets de croquis / Turner in France: Watercolours, Paintings, Drawings, Engravings, Sketchbooks, exhibition catalogue, Centre Culturel du Marais, Paris 1981, no.130, p.445, fig.905.
1983
John Gage, Jerrold Ziff, Nicholas Alfrey and others, J.M.W. Turner, à l’occasion du cinquantième anniversaire du British Council, exhibition catalogue, Galeries nationales du Grand Palais, Paris 1983, p.246 no.183, reproduced.
1990
Luke Herrmann, Turner Prints: The Engraved Work of J.M.W. Turner, Oxford 1990, pp.176–7.
1995
Ian Warrell, Through Switzerland with Turner: Ruskin’s First Selection from the Turner Bequest, exhibition catalogue, Tate Gallery, London 1995, p.148 under nos.84–101.
1999
Ian Warrell, Turner on the Seine, exhibition catalogue, Tate Gallery, London 1999, pp.25, 69, 191, 193, 276 no.133, fig.170 (colour).
Engraved:
By J.T. Willmore in 1834, published in 1835.
By J.T. Willmore in 1834, published in 1835.
In this watercolour, Turner depicts figures resting in the shade of trees, with the arched bridge at the town of Pont de l’Arche, in northern France, spanning the River Seine in the background. A laden carriage and horses are shown on the road in the mid-ground at left. A gleaming sun is depicted at upper right, its reflection shining in the water below, and its white light picking out the right-hand side of the bridge, the tower of the Church of Notre-Dame-des-Arts left of centre, and the right edge of the milestone in the foreground. With only a few tiny strokes of paint, Turner hints at boats and figures on the river at far right. The impression conveyed by the scene is of rest from activities on a hot day.
The watercolour is based on pencil sketches (Tate D23859–D23863; Turner Bequest CCLIII 81a–83a) in Turner’s Tancarville and Lillebonne sketchbook,1 believed to date from 1829 .
Verso:
Blank, except for an inscription ‘1’ in the top left corner and ‘Pont L’Arche’ at the centre of the sheet, both written in red gouache and probably by Turner. The numeral ‘3’ has also been inscribed in black ink, and below this again in pencil, in the top left corner. At the lower right of the sheet ‘6 [?L] has been noted in pencil. The lower centre of the sheet is stamped in black with the Turner Bequest monogram above the number ‘CCLIX – 112’, which is also written in pencil above. There is a black ink stain at top left.
Caroline South
November 2017
How to cite
Caroline South, ‘Pont-de-l’Arche c.1833 by Joseph Mallord William Turner’, catalogue entry, November 2017, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, November 2019, https://www