Joseph Mallord William Turner Lillebonne, Looking towards the Seine c.1832
Joseph Mallord William Turner 1775–1851
Lillebonne, Looking towards the Seine c.1832
D24675
Turner Bequest CCLIX 110
Turner Bequest CCLIX 110
Gouache and watercolour on blue paper, 141 x 191 mm
Blind-stamped with Turner Bequest monogram bottom left
Stamped in black ‘CCLIX – 110’ bottom right
Blind-stamped with Turner Bequest monogram bottom left
Stamped in black ‘CCLIX – 110’ bottom right
Accepted by the nation as part of the Turner Bequest 1856
Exhibition history
1904
National Gallery, London, various dates to at least 1904 (134, as ‘Lillebonne’).
1982
J.M.W. Turner Watercolors from the British Museum, Georgia Museum of Art, University of Georgia, Athens, March–May 1982, Museum of Fine Arts, Houston, May–July (59).
1999
Turner on the Seine, Tate Gallery, London, June–October 1999, Pavillon des Arts, Paris, October 1999–January 2000, Musée Malraux, Le Havre, March–June (123).
References
1833
Atlas, 15 December 1833, p.804.
1834
Arnold Magazine of the Fine Arts, January 1834, p.269.
1904
E.T. Cook and Alexander Wedderburn eds., Library Edition: The Works of John Ruskin; Volume XIII: Turner: The Harbours of England; Catalogues and Notes, London 1904, pp.387, 613 no.134, as ‘Lillebonne’.
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.II, p.795, CCLIX 110, as ‘Lillebonne’.
1913
W[illiam] G[eorge] Rawlinson, The Engraved Work of J.M.W. Turner, R.A., vol.II, London 1913, p.267 under no.460.
1979
Andrew Wilton, J.M.W. Turner: His Life and Work, Fribourg 1979, p.413 no.958, reproduced, as ‘Lillebonne Château and Town’.
1982
Lindsay Stainton and Richard S. Schneiderman, J.M.W. Turner Watercolors from the British Museum, exhibition catalogue, Georgia Museum of Art, University of Georgia, Athens 1982, pp.56, p.60 no.59, reproduced, as ‘Lillebonne: Château and Tower’, 61.
1990
Luke Herrmann, Turner Prints: The Engraved Work of J.M.W. Turner, Oxford 1990, p.172.
1999
Ian Warrell, Turner on the Seine, exhibition catalogue, Tate Gallery, London 1999, pp.68, 69, 143 fig.113, 146, 147–8, 257 note 27, 274 no.123.
Engraved:
By Thomas Jeavons in 1833, published in 1834.
By Thomas Jeavons in 1833, published in 1834.
In this watercolour, Turner presents Lillebonne castle, in northern France, perched on a hill, nestled between higher, rolling hills, with the river Seine in the background. The tower of the Church of Notre-Dame at Lillebonne is depicted in white gouache at lower right. Turner employs contrasting colours, and light and shade, to give shape to the landscape. The forms of the castle buildings are conveyed in warm tones of terracotta and pink, contrasting against the greens and blues of the landscape. In the lower left corner, figures and baskets for picking fruit trail in the sunlight conveyed by bright warm tones of yellow and orange, whilst above them, shadow and a trail of vegetation is indicated in opposing cool dark green shades, with a further area in contrasting light beyond this to the left. A trail of buildings picked out in bright white gouache, below the castle, echoes the trail of figures. Further lines of darker buildings cross the landscape, down the opposite side of the castle hill and at lower centre above the figures. With the slightest touches of white gouache, Turner indicates the sails of boats on the distant water.
Verso:
Blank, except for an inscription ‘10’ in pencil or grey gouache in the top left corner of the sheet and below this, running vertically upwards, is written ‘Lillebonne’ in pencil, both inscriptions probably made by Turner. On the right the sheet inscribed with a pencil note reading ‘[?5] a’. The centre of the sheet is stamped with the Turner Bequest monogram above the number ‘CCLIX – 110’, which is also written in pencil at centre above the stamp. There is a small spot red staining at the top centre edge of the sheet.
Caroline South
November 2017
How to cite
Caroline South, ‘Lillebonne, Looking towards the Seine c.1832 by Joseph Mallord William Turner’, catalogue entry, November 2017, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, November 2019, https://www