Joseph Mallord William Turner Trarbach from the South c.1839
Joseph Mallord William Turner 1775–1851
Trarbach from the South c.1839
D20223
Turner Bequest CCXX P
Turner Bequest CCXX P
Gouache and watercolour on blue wove paper, 137 x 190 mm
Blind-stamped with Turner Bequest monogram bottom right
Stamped in black ‘CCXX–P’ bottom right
Blind-stamped with Turner Bequest monogram bottom right
Stamped in black ‘CCXX–P’ bottom right
Accepted by the nation as part of the Turner Bequest 1856
Exhibition history
1904
National Gallery, London, various dates to at least 1904 (444a, as ‘Four sketches in colour on the Loire and Meuse’).
1936
Watercolours from the Turner Bequest [Loan Series G], Empire Loan Collections Society, National Gallery, Cape Town, May 1936–June 1937 (9, as ‘View on the Moselle’, no catalogue).
1939
Aberystwyth, ?November 1939–1939 (2, as ‘View of a Town in a Gorge’, no catalogue).
1939
Grande Saison internationale de l’eau, Liège, May–September 1939 (2, as ‘View of a Town in a Gorge’).
1970
Turner: Watercolours Lent by the British Museum, Musée Provisoire d’Art Moderne, Brussels, November 1970–January 1971 (30, reproduced [p.44]).
1982
J.M.W. Turner Watercolors from the British Museum, Georgia Museum of Art, University of Georgia, Athens, March–May 1982, Museum of Fine Arts, Houston, May–July 1982 (38, reproduced as On the Meuse).
1984
J.M.W. Turner in Luxembourg and its neighbourhood, Musée de l’Etat, Luxembourg, March–April 1984 (55, reproduced as Vue de Bacharach (Rhin) (?)).
1991
Turner’s Rivers of Europe: The Rhine, Meuse and Mosel, Tate Gallery, London, September 1991–January 1992, Musée Communal d’Ixelles, Brussels, February–April 1992 (76, reproduced, and in colour [p.79]).
1995
Turner in Germany, Tate Gallery, London, May–September 1995, Städtische Kunsthalle Mannheim, September 1995–January 1996, Hamburger Kunsthalle, Hamburg, January–March 1996 (49, reproduced in colour).
2007
Hockney on Turner Watercolours, Tate Britain, London, June 2007–February 2008.
References
1904
E.T. Cook and Alexander Wedderburn eds., Library Edition: The Works of John Ruskin: Volume XIII: Turner: The Harbours of England; Catalogues and Notes, London 1904, pp.312, 630 no.444, as ‘Four sketches in colour on the Loire and Meuse’.
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.II, p.687, CCXX P (and Q and R), as ‘Three sketches in colour; possibly on the Meuse’.
1991
Cecilia Powell, Turner’s Rivers of Europe: The Rhine, Meuse and Mosel, exhibition catalogue, Tate Gallery, London 1991, p.147 nos.75–6 and under CCXXII H.
1995
Cecilia Powell, Turner in Germany, exhibition catalogue, Tate Gallery, London 1995, pp.61, 64, 125 no.43, 129 no.49 reproduced.
1995
Cecilia Powell and Pia Müller-Tamm, William Turner in Deutschland, exhibition catalogue, [Städtische] Kunsthalle Mannheim 1995, p.148 no.49, reproduced in colour.
1997
Ian Warrell, Turner on the Loire, exhibition catalogue, Tate Gallery, London 1997, pp.219 no.61, 224 no.94.
1999
Peter Bower, Turner’s Later Papers: A Study of the Manufacture, Selection and Use of his Drawing Papers 1820–1851, exhibition catalogue, Tate Gallery, London 1999, p.101 no.55 and note 6 [p.101].
This work was originally catalogued by Cecilia Powell as ‘Alken and the Burg Thurandt from the North’, owing to its resemblance to another of Turner’s pencil sketches of that subject.1 The drawing has since been re-identified as a view of Trarbach, taken from the hillside path to Bernkastel.2 Turner’s vantage point for this drawing is similar to Tate D20240; Turner Bequest CCXXI G, but in this case the prospect is taken from a point higher in the hillside and further away from Trarbach.
Here Turner depicts part of a precariously narrow path leading to Bernkastle, the track carved into the very edge of a sheer ridge. A few figures trudge this rocky trail, hunched with heavy bundles on their backs. The hillside path is in full shade, coloured with softly smudged maroon, violet and burnt orange pigments. A view of Trarbach opens up beyond, rendered, by contrast, in luminous yellow-apricot. The town’s architecture and the rocky topography which surrounds it is finely delineated in rust red, hairline strokes of ink. The spire of the Church of St Nicholas can be seen rising loftily at centre, and directly above it is the ruined Grevenburg Castle, ‘high in the heavens, upon an abrupt ridge of rocks’.3
Technical notes:
There has been some fading and discolouration of the pigment and support due to exposure to sunlight following the picture’s exhibition.
Verso:
Stamped in black with Turner Bequest monogram and ‘CCXX P’ at bottom centre; inscribed in pencil ‘2’ and ‘6’ at centre and ‘CCXX P’ at bottom towards right.
Alice Rylance-Watson
September 2013
How to cite
Alice Rylance-Watson, ‘Trarbach from the South c.1839 by Joseph Mallord William Turner’, catalogue entry, September 2013, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, November 2014, https://www