Joseph Mallord William Turner Worcester: Boats near the Severn Bridge with Churches and the Cathedral Beyond ?1831
Joseph Mallord William Turner 1775–1851
Folio 2 Verso:
Worcester: Boats near the Severn Bridge with Churches and the Cathedral Beyond ?1831
D22154
Turner Bequest CCXXXIX 2a
Turner Bequest CCXXXIX 2a
Pencil on white wove paper, 114 x 191 mm
Accepted by the nation as part of the Turner Bequest 1856
References
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.II, p.733, CCXXXIX 2a, as ‘Worcester, with bridge and cathedral’.
This sketch of Worcester continues across folio 3 recto opposite (D22155). The viewpoint is the west bank of the River Severn below Hylton Road, looking east to the tower of All Saints Church. The east end of the bridge is shown here, but most of the structure appears on the opposite page, with Worcester Cathedral and St Andrew’s Church beyond.
The prominent building towards the right of the present page survives at the corner of North Parade and Bridge Street, albeit partly obscured by a later warehouse facing the river. There is an isolated architectural detail in the sky above All Saints. The overall composition is repeated on folio 4 recto (D22156) from a little to the north viewpoint.
The cathedral city of Worcester, county town of Worcestershire, stands on the River Severn about 140 miles north-west of London. From the distribution of studies clustered at both ends of this sketchbook, it seems likely that it was the first calling point on Turner’s route up the Severn to Bridgnorth and Shrewsbury as he travelled north (see the sketchbook’s Introduction). He had last visited Worcester in the early 1790s, making an unusual view of the cathedral through an arch of the Severn bridge (Tate D00152; Turner Bequest XIII G), and pencil views of the cathedral and King Edgar’s Gate (both Fogg Art Museum, Cambridge, Massachusetts), the latter resulting in a watercolour (Indianapolis Museum of Art).1 The watercolour Worcester Cathedral, West Front of about 1794–5 (British Museum),2 was based on a pencil drawing now at Indianapolis. Another watercolour (untraced)3 was engraved in 1795.
Other views in and around Worcester in the front half of the present sketchbook are on folios 4 recto and verso, 5 recto and verso, 6 recto, 7 verso, 10 verso (D22156–D22160, D22162, D22168). Those at the back, probably made working inwards, are on folios 81 verso, 82 recto and verso, 83 recto and verso, 84 recto, 86 verso, 87 recto and verso, 88 recto and verso, and 89 verso (D22300–D22305, D22310–D22314, D22316; Turner Bequest CCXXXIX 80a, 81, 81a, 82, 82a, 83, 85a, 86, 86a, 87, 87a, 88a), and perhaps folio 89 recto (D22315; Turner Bequest CCXXXIX 88).
Matthew Imms
April 2014
How to cite
Matthew Imms, ‘Worcester: Boats near the Severn Bridge with Churches and the Cathedral Beyond ?1831 by Joseph Mallord William Turner’, catalogue entry, April 2014, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, September 2014, https://www