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Artwork
Joseph Mallord William Turner The High Street, Oxford 1830
Joseph Mallord William Turner 1775–1851
Folio 1 Verso:
The High Street, Oxford 1830
D21976
Turner Bequest CCXXXVIII 1a
Turner Bequest CCXXXVIII 1a
Pencil on white wove paper, 120 x 203 mm
Inscribed by Turner in pencil ‘4’, ‘6’ and ‘4’ on wall towards centre left
Inscribed by Turner in pencil ‘4’, ‘6’ and ‘4’ on wall towards centre left
Accepted by the nation as part of the Turner Bequest 1856
Exhibition history
1974
Turner 1775–1851, Royal Academy, London, November 1974–March 1975 (442).
1992
Turner: The Fifth Decade: Watercolours 1830–1840, Tate Gallery, London, February–May 1992 (20, reproduced).
References
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.II, p.729, CCXXXVIII 1a, as ‘High Street, Oxford, with St. Mary’s in middle distance’.
1974
Martin Butlin, Andrew Wilton and John Gage, Turner 1775–1851, exhibition catalogue, Royal Academy, London 1974, pp.26, 125 no.442 and under no.443.
1975
Andrew Wilton, Turner in the British Museum: Drawings and Watercolours, exhibition catalogue, Department of Prints and Drawings, British Museum, London 1975, p.22.
1976
Andrew Wilton, in Werner Hofmann, Wilton, Siegmar Hosten and others, William Turner und die Landschaft seiner Zeit, exhibition catalogue, Hamburger Kunsthalle 1976, p.143 under no.92.
1979
Eric Shanes, Turner’s Picturesque Views in England and Wales 1825–1838, London 1979, pp.152 under no.88, 156.
1979
Andrew Wilton, J.M.W. Turner: His Life and Work, Fribourg 1979, p.182, pl.199.
1990
Eric Shanes, Turner’s England 1810–38, London 1990, pp. 260, p.286 note 205.
1992
Anne Lyles, Turner: The Fifth Decade: Watercolours 1830–1840, exhibition catalogue, Tate Gallery, London 1992, pp.55–6 no.20, reproduced.
2000
Colin Harrison, Turner’s Oxford, exhibition catalogue, Ashmolean Museum, Oxford 2000, pp.86–7.
Turner looks west along Oxford’s High Street from the junction with Queen’s Lane, with The Queen’s College in the right foreground including its cupola, the castellations of University College further down on the left, the spire of St Mary’s Church beyond All Souls College on the right, and the spire of All Saints Church in the distance.
The artist worked repeatedly around Oxford in his early career, and returned periodically.1 The present sketch has been linked to a group of ‘colour beginnings’, possibly studies for a Picturesque Views in England and Wales subject (Tate D25125, D25126, D25127, D25228, D25485; Turner Bequest CCLXIII 3, 4, 5, 106, 362);2 they are variant views comparable with that shown in the oil painting High Street, Oxford, commissioned by an Oxford patron and exhibited in 1810 (private collection, on loan to the Ashmolean Museum, Oxford).3 Of the ‘colour beginnings’, Anne Lyles has noted that the present sketch only corresponds closely with D25126 and D25228.4 D25125 and D25127 may possibly date from the 1820s; however, since D25485 is watermarked 1837, all five may have been made together in the late 1830s.
See Butlin, Wilton and Gage 1974, pp.26, 125; Wilton 1975, p.22; Wilton 1976, p.143; Shanes 1979, pp.152, 156; Wilton 1979, p.182; Shanes 1990, pp.260, 286 note 205.
Technical notes:
There are two short, parallel tears at the centre of the outer edge, between which a small section of the leaf has become creased and folded back, corresponding to part of the brass clasp inside the front cover (D41045).
Matthew Imms
August 2013
How to cite
Matthew Imms, ‘The High Street, Oxford 1830 by Joseph Mallord William Turner’, catalogue entry, August 2013, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, September 2014, https://www