J.M.W. Turner
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Artwork
Joseph Mallord William Turner Christ Church and St Aldate's, Oxford 1830
Joseph Mallord William Turner 1775–1851
Folio 1 Recto:
Christ Church and St Aldate’s, Oxford 1830
D21975
Turner Bequest CCXXXVIII 1
Turner Bequest CCXXXVIII 1
Pencil on white wove paper, 120 x 203 mm
Inscribed by Turner in pencil ‘W[...]’ bottom centre
Inscribed by John Ruskin in blue ink ‘1’ top right
Stamped in black ‘CCXXXVIII – 1’ bottom right
Inscribed by Turner in pencil ‘W[...]’ bottom centre
Inscribed by John Ruskin in blue ink ‘1’ top right
Stamped in black ‘CCXXXVIII – 1’ bottom right
Accepted by the nation as part of the Turner Bequest 1856
References
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.II, p.729, CCXXXVIII 1, as ‘Christchurch, Oxford. Cf. Water colour, engraved and published in “England and Wales” series, 1834’.
1979
Eric Shanes, Turner’s Picturesque Views in England and Wales 1825–1838, London 1979, p.156.
1992
Anne Lyles, Turner: The Fifth Decade: Watercolours 1830–1840, exhibition catalogue, Tate Gallery, London 1992, p.55 under no.20.
1996
English Watercolours and Drawings: Agnew’s 123rd Annual Exhibition, exhibition catalogue, Thos Agnew & Sons, London 1996, p.[15] under no.41.
1990
Luke Herrmann, Turner Prints: The Engraved Work of J.M.W. Turner, Oxford 1990, pp.131–2.
2000
Colin Harrison, Turner’s Oxford, exhibition catalogue, Ashmolean Museum, Oxford 2000, pp.86–7.
Looking north up St Aldate’s, Oxford, the south-west corner of Christ Church college is seen on the right of this slight sketch, with Tom Tower beyond. As Finberg recognised,1 it formed the basis of the much-elaborated watercolour Christ Church College, Oxford (Ashmolean Museum, Oxford),2 engraved in 1832 for Turner’s Picturesque Views in England and Wales. An inscription of three or four words at the bottom centre is largely illegible.
Turner worked repeatedly around Oxford in his early career, and returned periodically.3 Exterior studies of Christ Church from the early 1790s include Tate D00115, D00154 and D00155 (Turner Bequest VIII A, XIV A, B); from the later 1790s come Tate D00665, D02358, D02363, D02365, D08262 (Turner Bequest XXVII D, L Q, V and X, and CXXI G) and studies in the South Wales sketchbook (Tate D00659; Turner Bequest XXVI 97) and the Smaller Fonthill sketchbook (Tate D02237, D02240; Turner Bequest XLVIII 2, 5). A view in the Rhine, Strassburg and Oxford sketchbook (Tate D04769; Turner Bequest LXXVII 29a) dates from the early 1800s. Finished watercolours from the 1790s are in the British Museum, London,4 the Fitzwilliam Museum, Cambridge,5 the Ashmolean Museum, Oxford,6 and private collections.7
Technical notes:
There are two short, parallel tears at the centre of the outer edge, between which a small section of the leaf has become creased and folded back, corresponding to part of the brass clasp inside the front cover opposite (D41045).
Matthew Imms
August 2013
How to cite
Matthew Imms, ‘Christ Church and St Aldate’s, Oxford 1830 by Joseph Mallord William Turner’, catalogue entry, August 2013, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, September 2014, https://www