This composition is executed on cream wove writing paper. Faint graphite pencil drawing is evident, followed by pale blue watercolour wash applied to depict all details. For example, the effect of the mortar has been created by leaving areas of blank paper visible. Indigo is the only pigment used.
Helen Evans
October 2008
Revised by Joyce Townsend
February 2011
How to cite
Helen Evans, 'Technique and Condition', October 2008, revised by Joyce Townsend, February 2011, in Andrew Wilton, ‘Part of Petworth Church, Sussex, Seen from the North-West 1792 by Joseph Mallord William Turner’, catalogue entry, April 2012, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, December 2012, https://www.tate.org.uk/art/research-publications/jmw-turner/joseph-mallord-william-turner-part-of-petworth-church-sussex-seen-from-the-north-west-r1140294, accessed 21 November 2024.