Joseph Mallord William Turner Sketches in the Via dei Sepolcri, Pompeii 1819
Joseph Mallord William Turner 1775–1851
Folio 6 Recto:
Sketches in the Via dei Sepolcri, Pompeii 1819
D15748
Turner Bequest CLXXXV 6
Turner Bequest CLXXXV 6
Pencil on white wove paper, 113 x 189 mm
Inscribed by ?John Ruskin in blue ink ‘278’ bottom right and ‘6 top right
Stamped in black ‘CLXXXV 6 bottom right
Stamped in black ‘CLXXXV 6 bottom right
Accepted by the nation as part of the Turner Bequest 1856
References
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.547, as ‘Do. [The street of tombs]’.
1984
Cecilia Powell, ‘Turner on Classic Ground: His Visits to Central and Southern Italy and Related Paintings and Drawings’, unpublished Ph.D thesis, Courtauld Institute of Art, University of London 1984, pp.186 note 74, 186–7 note 76, 491 note 32, reproduced pl.108, as ‘Sketches of the Street of the Tombs, Pompeii’.
1987
Cecilia Powell, Turner in the South: Rome, Naples, Florence, New Haven and London 1987, pp.79 note 25, [82] note 60, reproduced pl.81, as ‘Pompeii: the Street of the Tombs’.
This page contains three distinct sets of sketches which are all related to Turner’s exploration of the Via dei Sepolcri (Street of the Tombs) in Pompeii. As Cecilia Powell has discussed, the artist made a significant number of drawings from various angles up and down the street, and consequently some of the ancient tombs appear repeatedly in different views.1 Top right is a view of the north side of the street (left as you look towards the Porta Ercolano and the walls of Pompeii) including, from left to right, the tombs of Velasius Gratus, Lucius Libella and his son, and an unknown tomb with a marble door. Visible in the background is part of a ruined arcade which stands in front of the remains of a row of shops. Some of the same structures can also be seen on the right-hand side of the lower sketch which depicts the vista looking west down the street, away from the main city, towards the Villa of Diomedes. On the left-hand side of the road are, from left to right, part of a round mausoleum of an unknown person, the Tomb of Calventius Quietus (with the ornamental wreath decoration), and the Tomb of Naevoleia Tyche. These monuments are placed within walled enclosures.2
Finally, on the far left-hand side of the page is a study of the Tomb of Naevoleia Tyche which represents part of the composition on the opposite sheet of the double-page spread, see folio 6 (D15747). Further sketches of the Via dei Sepolcri can be found on folios 5, 6 verso–10 (D15746, D15749–D15755). For a general discussion of Turner’s visit to Pompeii see the introduction to the sketchbook.
Nicola Moorby
September 2010
Compare the engravings after 1817 and 1818 drawings by Major Cockburn, ‘Tombs of Calventius Quietus and Naevoleia Tyche’, and ‘Tomb of Lucius Libella and of his Son’, in Pompeii, Illustrated with Picturesque Views, Engraved by W.B. Cooke, from the Original Drawings of Liet. Col. Cockburn, of the Royal Artillery, vol.II, London 1827, pl.37 and pl.39, between pp.26–7.
How to cite
Nicola Moorby, ‘Sketches in the Via dei Sepolcri, Pompeii 1819 by Joseph Mallord William Turner’, catalogue entry, September 2010, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, December 2012, https://www