Thomas Seddon Jerusalem and the Valley of Jehoshaphat from the Hill of Evil Counsel 1854–5
Seddon and his friend Holman Hunt journeyed to the Holy Land in 1854 to bring greater authenticity, spiritual and topographical, to their religious works. This view, painted south of Jerusalem, shows the Mount of Olives and the Garden of Gethsemane, the site of Christ’s anguish before the Crucifixion. The valley of Jehoshaphat was also believed to be where the Last Judgement would take place. Unlike John Martin’s apocalyptic visions, displayed nearby, Seddon represents the site in painstaking, sun-lit detail, paralleling the art critic John Ruskin’s remarks that ‘in following the steps of nature’, artists were ‘tracing the finger of God’.
How to cite
Thomas Seddon, Jerusalem and the Valley of Jehoshaphat from the Hill of Evil Counsel 1854-5, in Nigel Llewellyn and Christine Riding (eds.), The Art of the Sublime, Tate Research Publication, January 2013, https://www