Joseph Mallord William Turner Views on the Road between Narni and Borghetto, including Otricoli, Ocriculum and the Ponte Felice 1819
Joseph Mallord William Turner 1775–1851
Folio 71 Verso:
Views on the Road between Narni and Borghetto, including Otricoli, Ocriculum and the Ponte Felice 1819
D14792
Turner Bequest CLXXVII 71 a
Turner Bequest CLXXVII 71 a
Pencil on white wove paper, 110 x 186 mm
Inscribed by the artist in pencil ‘ortricoli’ underneath sketch top right and ‘[?Pass of N...]’ bottom left
Inscribed by the artist in pencil ‘ortricoli’ underneath sketch top right and ‘[?Pass of N...]’ bottom left
Accepted by the nation as part of the Turner Bequest 1856
References
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.523, as ‘Four sketches, one of “Ortricoli” ’.
1984
Cecilia Powell, ‘Turner on Classic Ground: His Visits to Central and Southern Italy and Related Paintings and Drawings’, unpublished Ph.D thesis, Courtauld Institute of Art, University of London 1984, pp.94, 101, 469 note 143, reproduced pl.25, as ‘Carriage sketches made near Otricoli’.
1987
Cecilia Powell, Turner in the South: Rome, Naples, Florence, New Haven and London 1987, pp.26, 34, reproduced pl.22 as ‘Carriage sketches’.
2008
James Hamilton, Nicola Moorby, Christopher Baker and others, Turner e l’Italia, exhibition catalogue, Palazzo dei Diamanti, Ferrara 2008, pp.44, 90 note 29.
2009
James Hamilton, Nicola Moorby, Christopher Baker and others, Turner & Italy, exhibition catalogue, National Galleries of Scotland, Edinburgh 2009, pp.42, 150–1 note 29.
Beyond Narni, Turner’s route to Rome continued south towards the next two post stages, Otricoli and Borghetto, where the Via Flaminia crossed the River Tiber at the Ponte Felice.1 The artist made a number of swift sketches between Narni and Borghetto. The likely chronological sequence of these views within the sketchbook is folio 71 verso (D14792), 71 (D14791) and 70 verso (D14790).
This page contains several sketches drawn with the sketchbook held vertically like a notebook. Each scene depicts a different point on the road after Narni, with the first view at the top and the last, closest to Borghetto, at the bottom. The shaky and uncertain nature of Turner’s lines suggests they were probably drawn from the moving carriage. The locations represented here are, from top to bottom: a distant view from the south of the small hill town of Otricoli with the River Tiber winding across the plain to the left; a ruined Roman tomb at Ocriculum, an ancient Roman settlement south-east of Otricoli;2 the remains of a medieval castle, the Castello Formiche; a distant view of Borghetto and a thumbnail sketch of a distant mountain; the ruined fortress at Borghetto; and the Ponte Felice with Borghetto beyond.
At the bottom of the page, near the spine of the sketchbook are two further sketches, part of two horizontal landscape views from the opposite sheet of the double-page spread, see folio 72 (D14793).
Nicola Moorby
November 2008
How to cite
Nicola Moorby, ‘Views on the Road between Narni and Borghetto, including Otricoli, Ocriculum and the Ponte Felice 1819 by Joseph Mallord William Turner’, catalogue entry, November 2008, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, December 2012, https://www