J.M.W. Turner: Sketchbooks, Drawings and Watercolours

By the nineteenth century, exploration of the city’s environs had become as much part of the Roman experience as its architecture and monuments. Turner made a large number of studies of the landscape north of Rome, and many of the views within this sketchbook appear to relate to a single perambulation from Sant’Agnese fuori le mura to Ponte Sant’Angelo, by way of the ancient Ponte Molle, also known as the Ponte Milvio (for further information see the sketchbook introduction). The subject of this sketch is the view looking south from the western bank of the river, at a point near present-day Ponte Duca d’Aosta, the Foro Italico and the Olympic Stadium. Along the horizon are the distant silhouettes of the dome of St Peter’s and the Castel Sant’Angelo. The area of high ground on the far right is Monte Mario, with the Villa Mellini visible amongst the trees on the crest of the hill and in the foreground, the River Tiber bisects the centre of the page, curving its way downstream towards the city. Related sketches of a similar view can be found on folios 47 verso and 49 (D40577 and D16470; Verso of Turner CXC 52 and Turner Bequest CXC 55).

Like many drawings within this sketchbook, the composition has been executed over a washed grey background. Turner has created areas of pale highlights by lifting or rubbing through to the white paper beneath, principally to delineate the course of the river and cloud formations within the sky.

Verso:
Blank
Inscribed by ?John Ruskin in red ink ‘783’ top right, inverted and by an unknown hand in pencil ‘CXC 53’ top right, inverted