Joseph Mallord William Turner View of Lake Fusaro and Cumae, from the Hill of Torregaveta 1819
Joseph Mallord William Turner 1775–1851
Folio 84 Recto:
View of Lake Fusaro and Cumae, from the Hill of Torregaveta 1819
D15721
Turner Bequest CLXXXIV 82
Turner Bequest CLXXXIV 82
Pencil on white wove paper, 122 x 197 mm
Inscribed by ?John Ruskin in blue ink ‘281’ top left, inverted and ‘82’ bottom left, inverted
Stamped in black ‘CLXXXIV 82’ top left, inverted
Stamped in black ‘CLXXXIV 82’ top left, inverted
Accepted by the nation as part of the Turner Bequest 1856
References
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.545, as ‘Rocks at “Capua”, &c.’.
1984
Cecilia Powell, ‘Turner on Classic Ground: His Visits to Central and Southern Italy and Related Paintings and Drawings’, unpublished Ph.D thesis, Courtauld Institute of Art, University of London 1984, pp.180 note 42, 188 note 84, 247 note 85, 355–6 note 32, 492 note 42.
1987
Cecilia Powell, Turner in the South: Rome, Naples, Florence, New Haven and London 1987, pp.79 note 35, 83 note 65, 170 note 14.
1998
James Hamilton, Turner and the Scientists, exhibition catalogue, Tate Gallery, London 1998, p.135 note 28.
This sketch depicts a view of Lake Fusaro, a stretch of water near Baiae which is separated from the sea by a narrow stretch of coastline. The vista looks north from the hill of Torregaveta with the sea on the left and the lake in the centre. Visible in the distance on the left is Cumae, whilst the two peaks in the centre represent the volcanic peaks of Monte Corvara and Monte Barbaro, near Lake Avernus. Turner made a copy of a similar view after John ‘Warwick’ Smith (1749–1831) in his Italian Guide Book sketchbook (Tate D13969; Turner Bequest CLXXII 20a).1 The composition spills over onto the opposite sheet of the double-page spread, see folio 83 verso (D15720; Turner Bequest CLXXXIV 81a). For related sketches see folio 91 verso (D15736; Turner Bequest CLXXXIV 89a).
A number of scholars have followed John Gage’s suggestion that the dark dots covering the left-hand side of this sheet were made by a shower of hot volcanic ash, probably dating from Turner’s ascent of Vesuvius, see folio 46 verso (D15645; Turner Bequest CLXXXIV 44a).2 More recently, however, James Hamilton has argued the marks were made by a spattering of a ‘light inky paint’.3
Nicola Moorby
June 2010
Compare also a drawing by Giacinto Gigante, Veduta della spiaggia di Cuma da Torregaveta (Certosa di San Martino, Naples), reproduced at http://www.civita.it/servizio/sala_stampa/il_reale_sito_del_fusaro_tra_cielo_e_mare , accessed June 2010.
How to cite
Nicola Moorby, ‘View of Lake Fusaro and Cumae, from the Hill of Torregaveta 1819 by Joseph Mallord William Turner’, catalogue entry, June 2010, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, December 2012, https://www