Joseph Mallord William Turner View from the Porta della Fiera, Narni, Looking across the Valley of the Nera 1819
Joseph Mallord William Turner 1775–1851
Folio 63 Verso:
View from the Porta della Fiera, Narni, Looking across the Valley of the Nera 1819
D14776
Turner Bequest CLXXVII 63 a
Turner Bequest CLXXVII 63 a
Pencil on white wove paper, 110 x 186 mm
Inscribed by the artist in pencil ‘Porta Dela Fieria’ and ‘From Gate Narni’ bottom left and ‘no mist’ top right of arch and ‘mist’ above line of horizon
Inscribed by the artist in pencil ‘Porta Dela Fieria’ and ‘From Gate Narni’ bottom left and ‘no mist’ top right of arch and ‘mist’ above line of horizon
Accepted by the nation as part of the Turner Bequest 1856
References
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.522, as ‘View “from Gate Narni” ’.
1984
Cecilia Powell, ‘Turner on Classic Ground: His Visits to Central and Southern Italy and Related Paintings and Drawings’, unpublished Ph.D thesis, Courtauld Institute of Art, University of London 1984, pp. 101, 469 note 143, 103 note 154, 356 note 33.
1987
Cecilia Powell, Turner in the South: Rome, Naples, Florence, New Haven and London 1987, pp.34, 35.
2008
James Hamilton, Nicola Moorby, Christopher Baker and others, Turner e l’Italia, exhibition catalogue, Palazzo dei Diamanti, Ferrara 2008, pp.44, 90 note 29.
2009
James Hamilton, Nicola Moorby, Christopher Baker and others, Turner & Italy, exhibition catalogue, National Galleries of Scotland, Edinburgh 2009, pp.42, 150–1 note 29.
The town of Narni occupies the crest of a hill approximately seven miles south-west of Terni, and fifty miles north of Rome. As was often the case during Turner’s travels, his mode of travelling did not give him much opportunity to stop and explore the centre of the town. The carriage simply followed a predetermined course in an anti-clockwise direction from east to south-west around the walled perimeter. Consequently Turner’s sketches of Narni only relate to views or subjects visible from the road such as the edges of the town and the Bridge of Augustus in the gorge below.
This inverted sketch depicts the view from the Porta della Fiera (also called the Porta Nuova), the gate at the northern tip of the town which is just visible on the far left-hand side of the page. The panoramic outlook from this point takes in the sweep of the valley to the east of Narni with the River Nera snaking across the plain and the hills surrounding Terni beyond. The topographical notational style of Turner’s sketching technique belies the atmospheric spectacle of this vista and the artist has inscribed a note to remind himself that the distant horizon was shrouded in mist. Today the picturesque beauty of the view has been completely transformed by the industrialisation of the area around the new town of Narni Scalo.
The road from the Porta della Fiera winds down the slopes of the hill towards a second gate, the Porta Pollela, visible here in the middle distance, before eventually descending to Narni’s most famous landmark, the Roman Bridge of Augustus in the gorge beneath, see folio 61 verso (D14772). A similar view can be found on folios 60 verso–61 (D14770–1).
Nicola Moorby
November 2008
How to cite
Nicola Moorby, ‘View from the Porta della Fiera, Narni, Looking across the Valley of the Nera 1819 by Joseph Mallord William Turner’, catalogue entry, November 2008, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, December 2012, https://www