Joseph Mallord William Turner The Porch of Santa Maria Salute, Venice, and the Entrance to the Grand Canal, with the Dogana and Campanile of San Marco (St Mark's) Beyond 1819
Joseph Mallord William Turner 1775–1851
Folio 67 Verso:
The Porch of Santa Maria Salute, Venice, and the Entrance to the Grand Canal, with the Dogana and Campanile of San Marco (St Mark’s) Beyond 1819
D14444
Turner Bequest CLXXV 67a
Turner Bequest CLXXV 67a
Pencil on white wove paper, 112 x 185 mm
Partial watermark ‘lee | 13’
Partial watermark ‘lee | 13’
Accepted by the nation as part of the Turner Bequest 1856
References
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.514, CLXXV 67a, as ‘Looking from the Grand Canal, with the Salute on the right’.
1930
A.J. Finberg, In Venice with Turner, London 1930, p.165, as ‘From the steps of the Salute, looking towards the Ducal Palace’.
1975
Andrew Wilton, Turner in the British Museum: Drawings and Watercolours, exhibition catalogue, Department of Prints and Drawings, British Museum, London 1975, p.149 under no.259.
1983
Evelyn Joll in John Gage, Jerrold Ziff, Nicholas Alfrey and others, J.M.W. Turner, à l’occasion du cinquantième anniversaire du British Council, exhibition catalogue, Galeries nationales du Grand Palais, Paris 1983, p.130 under no.63.
1984
Martin Butlin and Evelyn Joll, The Paintings of J.M.W. Turner, revised ed., New Haven and London 1984, p.213 under no.362.
1984
Hardy George, ‘Turner in Europe in 1833’, Turner Studies, vol.4, no.1, Summer 1984, p.20 note 4.
1985
Lindsay Stainton, Turner’s Venice, London 1985, p.61 under no.73.
2001
Andrew Wilton in Wilton, Inge Bodesohn-Vogel and Helena Robinson, William Turner: Licht und Farbe, exhibition catalogue, Museum Folkwang, Essen 2001, p.326 under no.105.
The drawing is inverted relative to the sketchbook’s foliation. Finberg subsequently annotated his 1909 Inventory entry (‘Looking from the Grand Canal, with the Salute on the right’): ‘From steps of Salute, looking twds Campanile’.1 In another copy he wrote: ‘Dogana. Porch Salute’.2 The Turner scholar C.F. Bell annotated a further copy: ‘the Campanile above the Palaces & Hotels to l’.3 Bell similarly annotated Finberg’s entry in his 1930 In Venice with Turner.4
The view is eastwards towards the entrance to the Grand Canal and the Bacino beyond, with the north porch of the church of Santa Maria della Salute on the right, the Dogana beyond on that side, and the campanile of St Mark’s to the east-north-east above the roofs on the left. The viewpoint is a little west of the church, perhaps off the Palazzo Genovese on the south side. The height and slenderness of the campanile seems exaggerated, as to an even greater degree in the later painting Venice, from the Porch of the Madonna della Salute, exhibited at the Royal Academy in 1835 (Metropolitan Museum of Art, New York),5 for which this drawing served as a source,6 although the American art historian Barbara Reise pointed out the shifts in viewpoint embodied in the painting, amounting to taking ‘some liberties’, as Martin Butlin and Evelyn Joll put it,7 to give a more spacious effect.
Andrew Wilton8 has noted the fortuitous similarity of the view in an 1840 watercolour, Venice: The Grand Canal, Looking towards the Dogana (British Museum, London).9 Lindsay Stainton has described the setting as a ‘favourite spot’, comparing additionally a watercolour on grey paper, perhaps of 1840 (Tate D32208; Turner Bequest CCCXVII 23).10 For other drawings made in the vicinity and an overview of Turner’s coverage of Venice, see the sketchbook’s Introduction.
Matthew Imms
March 2017
Undated MS note by A.J. Finberg (died 1939) in interleaved copy of Finberg 1909, Tate Britain Prints and Drawings Room, I, opposite p.514.
Undated MS note by Finberg in copy of Finberg 1909, Tate Britain Prints and Drawings Room, I, p.514.
Undated MS note by C.F. Bell (died 1966) in copy of Finberg 1909, Tate Britain Prints and Drawings Room, I, p.514.
How to cite
Matthew Imms, ‘The Porch of Santa Maria Salute, Venice, and the Entrance to the Grand Canal, with the Dogana and Campanile of San Marco (St Mark’s) Beyond 1819 by Joseph Mallord William Turner’, catalogue entry, March 2017, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, July 2017, https://www