1830
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.II, p.1183, CCCLXIV 114, as ‘“Going out to the Ship – scull ...”’, after c.1830.
1845
David Blayney Brown, Turner and the Channel: Themes and Variations c.1845, exhibition catalogue, Tate Gallery, London 1987, pp.20, 24 no.45, as ‘“Going out to the Ship – sculls Rough”’, c.1845.
1993
Robert Upstone, Turner: The Final Years: Watercolours 1840–1851, exhibition catalogue, Tate Gallery, London 1993, pp.52, 53 under no.39.
2013
Ian Warrell, ‘“I saw Louis Philippe land at Portsmouth”: Fixing Turner’s Presence at the Arrival of the King of the French, 8 October 1844’, Turner Society News, no.120, Autumn 2013, p.9.
2014
Sam Smiles in David Blayney Brown, Amy Concannon and Smiles (eds.), Late Turner: Painting Set Free, exhibition catalogue, Tate Britain, London 2014, p.168.
2015
Ian Warrell, Turner’s Wessex: Architecture and Ambition, exhibition catalogue, Salisbury Museum 2015, pp.179, 202, as ‘Portsmouth Harbour: “Going out to the Ship – Sculls Rough”’, 1844, fig.177 (colour).