Joseph Mallord William Turner The Arch of Augustus, Rimini 1819
Joseph Mallord William Turner 1775–1851
Folio 60 Verso:
The Arch of Augustus, Rimini 1819
D14598
Turner Bequest CLXXVI 56a
Turner Bequest CLXXVI 56a
Pencil on white wove paper, 111 x 184 mm
Inscribed by Turner in pencil ‘COS SEP DESIGNAT OCTAVO [...] | [?celeberrim]IS ITTALIAE VEIS CONSILI’ bottom left and ‘SENATUS. PO[...]’ bottom right
Inscribed by Turner in pencil ‘COS SEP DESIGNAT OCTAVO [...] | [?celeberrim]IS ITTALIAE VEIS CONSILI’ bottom left and ‘SENATUS. PO[...]’ bottom right
Accepted by the nation as part of the Turner Bequest 1856
References
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.518, CLXXVI 56a, as ‘Porta Romana or Arco d’Augusto, Rimini’.
1984
Cecilia Powell, ‘Turner on Classic Ground: His Visits to Central and Southern Italy and Related Paintings and Drawings’, unpublished Ph.D thesis, Courtauld Institute of Art, University of London 1984, pp.89–90, 465 notes 98 and 100.
1987
Cecilia Powell, Turner in the South: Rome, Naples, Florence, New Haven and London 1987, pp.24, 202 note 42.
The south-east front of the Roman arch is shown. Retaining its later brick battlements, it now stands in isolation apart from a few metres of the old city wall flanking it to about half its full height, in a grassed area with a path through it aligned with the Corso d’Augusto.
The carved inscription between the battlements and the pediment is fragmentary, and what Turner records reasonably accurately is about all that still survives from the left-hand half, with ‘SENATVS POPVLVSQ[VE ROMANVS]’ set above ‘COS SEPT DESIGNAT OCTAVOM | CELEBERRIMEIS ITALIAE VIEIS CONSILIO’. Among other details, towards the lower left are the high-relief heads from the medallions set in the spandrels. For other views of the arch and Rimini’s Roman bridge, see under folio 57 verso (D14592; CLXXVI 53a).
Powell has characterised the site as one of those that Turner came across simply by following the major routes through Italy and thus ‘did not have to go out of his way’ to garner a useful store of incidental subjects.1 She has commented on the relatively uneventful phase of Turner’s journey between leaving Bologna and reaching Rimini (folios 43 recto–60 verso; D14566–D14598; Turner Bequest CLXXVI 39a–56a);2 for his overall route south-east between Bologna and Ancona, see the sketchbook’s Introduction.
Matthew Imms
March 2017
How to cite
Matthew Imms, ‘The Arch of Augustus, Rimini 1819 by Joseph Mallord William Turner’, catalogue entry, March 2017, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, July 2017, https://www